Pop Culture Confronts British Columbia's Colonial History
The Potlatch - First Nations of the Pacific Northwest
The Power of the Hula: A Performance Text for Appropriating Identity Among First Hawaiian Youth
The Power of Voice: The Indian Arts Research Center's Identity Shift.
The Powwow Dance and My Dance with Powwows
Presentation of Self, Culture, and Other in Public Podium Talk: Constructing Indigenous/non-Indigenous Relations in Grassroots Popular Education
Pride in Our Culture
Protect and Promote Your Culture: A Practical Guide to Intellectual Property for Indigenous Peoples and Local Communities
Protocols for Using First Nations Cultural and Intellectual Property in the Arts
Pushing the Needle: Collections Based Museum and Source Community Collaborations
Qapirangajuq: Inuit Knowledge and Climate Change: Educational Resource
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
Raymond Boisjoly in Conversation With Marcia Crosby
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Reconciliation in Canadian Museums
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
[Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film]
Resiliant Singer was Passionate About Healing
Looks at a performer who used music and song to help overcome abuse, violence and trauma faced during her life.
Entire issue on one pdf. To access article scroll to p.30.
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
Resistance in Indigenous Music: A Continuum of Sound
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Review of Memory, and Violence in the New West
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
RPM: Indigenous Music Culture
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
[Ruth Phillips and Her New Book Museum Pieces: Towards the Indigenization of Canadian Museums]
Safety for Our Sisters: Ending Violence against Native Women
Santa Fe Indian Market: A History of Native Arts and the Marketplace
Saskatchewan History - The First Peoples: Plains First Nations
Seekers and Travellers: Contemporary Art of the Pacific Northwest Coast
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shapeshifting: Transformations in Native American Art
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.