American Indian Quarterly, vol. 45, no. 2, Spring, 2021, pp. [152]-195
Description
An analysis of the art installation performed and exhibited in 2018 and discussion of how the artist's works express resistance to the proposed oil pipeline and energy extraction projects going through or near Indigenous lands in the U.S. and Canada.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Diana Henry
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [5]-11
Description
Member of the Saanich Native Heritage Society describes efforts to prevent the sale of an ancient West Coast Saanich bowl to an American dealer, and to have this cultural property returned to their people.
Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
American Indian Quarterly, vol. 27, no. 3, Urban American Indian Womens Activism, Summer/Fall, 2003, pp. 583-592
Description
Describes how through the Alaska Federation of Natives (AFN) crafts fair women are adjusting to urban living and that the fair, in addition to the money, is a place where social bonds are created and women learn to feel more empowered.
American Indian Quarterly, vol. 43, no. 3, Summer, 2019, pp. 339-364
Description
Article analyzes the narrative presented on the Homeland Security t-shirt [Graphic tee which has the words “Homeland Security” emblazoned above an image of Geronimo with three fellow Apache warriors and the words “Fighting Terrorism since 1492” located below the photograph]. Discusses how this narrative forms a rhetoric of critique and resistance.
Journal of Canadian Studies, vol. 40, no. 1, Winter, 2006, pp. 71-123
Description
Describes genre of painting created for sport fishermen who leased salmon rivers in Atlantic Canada; these leases removed First Nations fishing rights.
American Indian Quarterly, vol. 18, no. 4, Fall, 1994, pp. 445-[?]
Description
Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.
Visual Anthropology Review, vol. 21, no. 1-2, March 2005, pp. 138-162
Description
Comments on an exhibition, Proof: Portraits From the Movement, 1978-2003, featuring 67 framed black-and-white photographs plus 67 digital images on a DVD monitor
Arts and Sciences Graduate School Thesis (Ph.D.)---Columbia University, 2001.
Presents analytical review of artistic works including those of James Lavadour, Kay WalkingStick and Hulleah Tsinhnahjinnie.
American Indian Culture and Research Journal, vol. 23, no. 2, 1999, pp. 149-207
Description
Book reviews of:
American Indian Activism: Alcatraz to the Longest Walk edited by Troy Johnson, Joane Nagel, and Duane Champagne.
As We Are Now: Mixblood Essays on Race and Identity edited by William S. Penn.
Cahokia: Domination and Ideology in the Mississippian World edited by Timothy R. Pauketat and Thomas E.
American Indian Culture and Research Journal, vol. 12, no. 3, 1988, pp. 85-143
Description
Book reviews of:
The Trickster of Liberty: Tribal Heirs to a Wild Baronage by Gerald Vizenor.
Nairne's Muskhogean Journals: The 1708 Expedition to the Mississippi River edited by Alexander Moore.
The Adventures and Sufferings of John R. Jewitt, Captive of Maquinna annotated and illustrated by Hilary Stewart.
A Creek Warrior for the Confederacy: The Autobiography of Chief G. W. Grayson edited by W. David Baird.
Native American Baskertry: An Annotated Bibliography complied by Frank W.
American Indian Culture and Research Journal, vol. 28, no. 3, 2004, pp. 121-178
Description
Book reviews of:
American Indians in U.S. History by Roger L. Nichols.
Blanket Weaving in the Southwest by Joe Ben Wheat.
Captors and Captives: The 1704 French and Indian Raid on Deerfield by Evan Haefeli and Kevin Sweeney.
“The Cherokee Night” and Other Plays by Lynn Riggs.
Creek Country: The Creek Indians and Their World by Robbie Ethridge.
Enduring Legacies: Native American Treaties and Contemporary Controversies edited by Bruce E. Johansen.
Hermanitos Comanchitos: Indo-Hispano Rituals of Captivity and Redemption by Enrique R.
American Indian Culture and Research Journal, vol. 35, no. 1, 2011, pp. 119-185
Description
Book reviews of:
2000 Years of Mayan Literature by Dennis Tedlock.
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject by Kirsten Pai Buick.
Conservation Refugees: The Hundred-Year Conflict between Global Conservation and Native Peoples by Mark Dowie.
Delaware Tribe in a Cherokee Nation by Brice Obermeyer.
Demons, Saints, & Patriots: Catholic Visions of Indian America through The Indian Sentinel (1902–1962) by Mark Clatterbuck.
The Beaver, vol. 88, no. 4, August/September 2008, p. 15
Description
Describes the Canadian Press Picture of the Year award winning photograph, taken by Shaney Komulainen, of the standoff between Canadian soliders and armed Mohawk warriors in 1990.
AlterNative, vol. 15, no. 2, June 2019, pp. 180-189
Description
Describes an arts based research project which uses graffiti art to make Haudenosaunee symbols and images accessible and relevant for Indigenous youth. Discusses cultural bridging and exchange, decolonization, identity, cultural values, and Indigenous solidarity.
South Atlantic Quarterly, vol. 110, no. 2, Sovereignty, Indigeneity, and the Law, 2011, pp. 465-486
Description
Discusses expressions of sovereignty through the artwork of four contemporary Iroquois artists; G. Peter Jemison, Alan Michelson, Samuel Thomas, and Marie Watt.