Canadian Journal of Native Studies, vol. 5, no. 2, 1985, pp. 277-282
Description
Book reviews of 4 books:
Treaties on Trial by Fay G. Cohen.
The Canadian Prairies: A History by Gerald Friesen.
New Native American Drama: Three Plays by Hanay Geiogamah. The three plays are entitled Foghorn, 49, and Body Indian.A Homeland for the Cree by Richard F. Salisbury.
Eagle Feather News, vol. 10, no. 10, October 2007, p. 21
Description
Comments on a play, produced by the Saskatchewan Native Theatre Company's Circle of Voices, that looks at issues such as cultural identity and the intergenerational effects of residential school.
Article located by scrolling to page 21.
Drama Thesis (Ph.D.)--University of Toronto, 2000.
Focuses on four playwrights Suzan-Lori Park, Daniel David Moses, and filmmakers Midi Onodera and Julie Dash.
College of Arts and Science (University of Saskatchewan)
Description
Overview of the new course offered using performance training methods to teach Indigenous language skills at the University of Saskatchewan. Uses TPR, total physical response to teach Cree.
Duration: 13:05.
Uses Trey Anthony's 'Da Kink in My Hair, Sunil Kuruvilla's Rice Boy, and Marie Clements' The Unnatural and Accidental Women as examples in the argument that while they all contain elements dealing with belonging, they push the boundaries of what is considered "ethnic" or "native" drama in different ways.
BC Studies, no. 190, Histories of Settler Colonialism, Summer, 2016, pp. 142-144
Description
Book reviews of:
The Land We Are edited by Gabrielle L'Hirondelle Hill and Sophie McCall.
The Poetics of Land and Identity Among British Columbia Indigenous Peoples by Christine Elsey.
Entire book review section on one pdf. To access this review scroll to p. 142.
Canadian Theatre Review, no. 128, Fall, 2006, pp. 112-115
Description
Critiques various articles within the issue as they pertain to regional identity and discusses Aboriginal Canadian drama in theatre as a mode of engagement.
Studies in American Indian Literatures, vol. 9, no. 1, Series 2; [Special Issue on] Gerald Vizenor, Spring, 1997, pp. [73]-92
Description
Discusses the play, based on a true occurrence, the central themes of which are the importance of stories and names, and the issue of what constitutes tribal identity.
Entire issue on one pdf. To access article, scroll down to appropriate page.
Canadian Theatre Review, no. 108, Fall, 2001, pp. 48-51
Description
Reviews the large scale northern tour of an award winning First Nations play, fareWel by Ian Ross, which looks at issues such as identity, poverty, substance abuse, and racism.