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Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project
Basketmaking Guides and the Appropriation of Indigenous Basketry
The Concept of Duality in Culture and Myths of Lakota Indians
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Framing the Past
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Graphic Indigeneity : Comics in the Americas and Australasia
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
In the Balance: Indigeneity, Performance, Globalization
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
An Indigenous Archive: Documenting Comanche History through Rock Art
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Knowing Native Arts
Medicine through Comics: Wheels Are Turning on the Road to Healing: Native Americans through the Lens of Francophone Graphic Novels
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
Never Alone: The Art and the People of the Story
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Not Your Grandfather's Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures
One Little, Two Little, Three Little Stereotypes: A History of Native Culture and Imagery in American Cinematic Cartoons
Opposing Views: The Story Of Custer's Defeat Depends On Who Is Telling It
Paper Beadwork Cut-Outs on the Spirit Lake Reservation, North Dakota
Plains Cree Bonnets
'Plant-in-Pot' Imagery in Native North American Decorative Art
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Red: The Eiteljorg Contemporary Art Fellowship
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Toward an Indigenous Feminine Animation Aesthetic
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.