8th Fire: At the Crossroads
8th Fire: Indigenous in the City
9000 Years of History in the Land of the River People: The Stó:lō
Aboriginal Art in the 60s
Aboriginal Arts Development Awards: A Program Assessment
Aboriginal Couple
Historical note:
On information card: Photograph of historic value taken by one of the first cameras in the Territory [NWT].Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Peoples in Canadian Cities: Transformations and Continuities
The Aboriginal Right to Cultural Property
Aboriginal Youth & Media Conference at MOA (Part One)
Aboriginal Youth & Media Conference at MOA (Part Two)
About Humanity, Not Ethnicity?: Transculturalism, Materiality, and the Politics of Performing Aboriginality on the Northwest Coast
Abstract Haida Explorations: Cut Paper Designs
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Grades 4-7.
Abstract Haida Explorations: Painting Using Stencils
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Kindergarten to Grade 3.
An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
Accumulated Labours: First Nations Art in British Columbia, 1922-1961
Acquiring and Exhibiting a Nuu-Chah-Nulth Ceremonial Curtain
Agents of Change: New Architectural Process in British Columbia First Nations Schools
An Ahousat Elders Songs: Transcription and Analysis
All the World's a Stage: The Nineteenth Century Kwakwaka'wakw (Kwakiutl) House as Theater
"Almost Lost But Not Forgotten": Contemporary Social Uses of Central Coast Salish Spindle Whorls
Ancient Villages & Totem Poles of the Nisga'a
The Anthropology Museum in the Post-Colonial Era: A Case Study on How Indigenous, First Nations Communities are Represented at the UBC Museum of Anthropology in Vancouver
The Anti-Trickster at Play: Representing First Nations Artists and Art in the Art Galleries and Museums of Northern British Columbia
Appropriation of Aboriginal Oral Traditions
Art, Identity and Culture: The Politicization of Contemporary Northwest Coast First Nations Art
[Art of the Northern Tlingit]
ART Sauvage: Indian Acts
Artful Destination
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
The Artists Speak
ArtTalk: Conversations on Northwest Native Art: Session 2: Retrospectives on Northwest Coast Art History and Indigenous Methodologies
[ArtTalk: Conversations on Northwest Native Art: Session 3: Panel Discussion]: Contemporary Northwest Coast Art & Challenging Pre-Conceptions
Aspiring Directors Get Taste of Crash Course in Cinema
Comments on talks at a workshop which included how to raise funds for cinema projects and the power of storytelling.
Entire issue on one pdf. To access article scroll to p.35.
Assimilation or Resistance?: The Production and Consumption of Tlingit Beadwork
Augusta
Authentic First Peoples Resources: K-9
Authentic Indigenous Arts Initiative
"Authenticity" and the Contemporary Northwest Coast Indian Art Market
Autoethnography and Material Culture: the Case of Bill Reid
Averkieva, Julia, "The Tlingit Indians" (Barron's notes).
B.C. First Nations Studies Teacher's Guide
B.C. First Nations Studies [Textbook]
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.