American Indian Quarterly, vol. 45, no. 2, Spring, 2021, pp. [152]-195
Description
An analysis of the art installation performed and exhibited in 2018 and discussion of how the artist's works express resistance to the proposed oil pipeline and energy extraction projects going through or near Indigenous lands in the U.S. and Canada.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Diana Henry
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [5]-11
Description
Member of the Saanich Native Heritage Society describes efforts to prevent the sale of an ancient West Coast Saanich bowl to an American dealer, and to have this cultural property returned to their people.
Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
Journal of Canadian Studies, vol. 40, no. 1, Winter, 2006, pp. 71-123
Description
Describes genre of painting created for sport fishermen who leased salmon rivers in Atlantic Canada; these leases removed First Nations fishing rights.
American Indian Quarterly, vol. 18, no. 4, Fall, 1994, pp. 445-[?]
Description
Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.
Arts and Sciences Graduate School Thesis (Ph.D.)---Columbia University, 2001.
Presents analytical review of artistic works including those of James Lavadour, Kay WalkingStick and Hulleah Tsinhnahjinnie.
American Indian Culture and Research Journal, vol. 23, no. 2, 1999, pp. 149-207
Description
Book reviews of:
American Indian Activism: Alcatraz to the Longest Walk edited by Troy Johnson, Joane Nagel, and Duane Champagne.
As We Are Now: Mixblood Essays on Race and Identity edited by William S. Penn.
Cahokia: Domination and Ideology in the Mississippian World edited by Timothy R. Pauketat and Thomas E.
The Beaver, vol. 88, no. 4, August/September 2008, p. 15
Description
Describes the Canadian Press Picture of the Year award winning photograph, taken by Shaney Komulainen, of the standoff between Canadian soliders and armed Mohawk warriors in 1990.
AlterNative, vol. 15, no. 2, June 2019, pp. 180-189
Description
Describes an arts based research project which uses graffiti art to make Haudenosaunee symbols and images accessible and relevant for Indigenous youth. Discusses cultural bridging and exchange, decolonization, identity, cultural values, and Indigenous solidarity.