Discusses how decreased funding for museums and art galleries has lead to an increased effort to secure Indigenous art in order to acquire grants. Uses Jimmie Durham as a case study and an examination of the Indian Arts and Crafts Act of 1990 to illustrate how the art community's haste to secure Indigenous art has allowed those with a fraudulent identity to benefit.
Author/Creator
Tahnee M. Ahtoneharjo-Growingthunder
Open Access
Yes
Primary Source
No
Citation
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 115-122
Publication Date
2019
Location
Resource Type
Articles -- Scholarly, peer reviewed
Format
Text -- PDF
Language