Painting, Drawing

Describes four viewpoints about the National Museum of the Native American (NMAI) garnered through two personal visits and the others through newspaper articles and discussions.

Virtual exhibition features portrayals of traditional cultures of the Tlingit, Tsimshian, Haida, Nuxalk, Kwakwaka'wakw, Nuu-chah-nulth, and Salish peoples.

Photo of illustration made from photograph of White Cap, Sioux Chief, pledging friendship to his white brother, taken from Illustrated War News, 25 April 1885.

Note: The title, description and image of this item uses wording and imagery that was common in mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. Two separate images of a woman, one white, one Aboriginal, in a waterfall. The white woman has wings and appears to represent Niagara's Maid of the Mist legend.

Analyzes the relationship between Fenimore Cooper's novel, The Last of the Mochicans and Vanderlyn's painting.

Discusses issues involved in the jurying process conducted by the Canadian Eskimo Arts Council and the May Report on the financial viability of Inuit printmaking. Entire issue on one pdf. To access article scroll down to appropriate page.

Discusses a controversial lesson in history through art, by presenting nstitutions devoted to nostalgic theme-park versions of history; the exhibit contrasts violence, defiance, racism, alienation and suicide with family harmony, friendship, creativity and work.

Brief overview of the acquisition policies and collections of major Canadian companies. Entire issue on one pdf. To access article scroll down to appropriate page.

English Thesis (M.A.)--University of Saskatchewan, 2010.

Overview of American painter George Catlin's London exhibition as a mission to inform the English of the doomed Indian culture.

Discusses how Emily Carr confronts Aboriginal cultural change and challenges the authority of Native traditions in her work.

Brief description of William Barak's life and leadership at the Coranderrk settlement and his efforts to preserve aspects of Aboriginal tradition in his art.

An image of an Aboriginal man standing alone. He is dressed in ceremonial clothing and holds a fan of feathers. There is a grouping of tipis in the distant background. Colours have been added to the photograph in a chromolithograph process. The postcard is addressed to Miss Dell Ashdown, Muskoka, Ontario.

A woman (Christina Bateman?) and a kitten. Photograph taken during the journey of Christina Bateman and Annie McKay from Prince Albert to La Ronge, SK in 1919.

Discusses how Aboriginal characters have been depicted in mainstream comics generally written and illustrated by non-Aboriginals.

Book review of: Women and Ledger Art by Richard Pearce. Scroll down to page 91 to read review.

Book review of: Women and Ledger Art by Richard Pearce.

Anthropology Thesis (Ph.D.)--University of Oklahoma, 1985.

Comments on the 17 artists, representing all regions of the Arctic, in attendance at the Pan-Arctic Women's Workshop. Includes brief profiles. Entire issue on one pdf. To access article, scroll to page 6.

Comments on an artist who was awarded the Medal of Service of the Order of Canada by Governor General Roland Michener at the inaugural investiture. Entire issue on one pdf. To access article, scroll to page 8.

Sketch of wounded men from the Battle of Fish Creek being treated; some on stretchers, one man sitting on the ground, and one man standing with two medical personnel being treated. Men on horseback in background.

Fine Arts Thesis (M.A.)--University of British Columbia, 1990.

Comments on a program aimed at helping youth find employment and build personal development through art. Article located by scrolling to page 15.