Painting, Drawing

Review of exhibition catalogue: Three Women, Three Generations by Jean Blodgett. Entire issue on one pdf. To access article, scroll to page 38.

Curatorial notes for an exhibition mounted at the McMichael Canadian Art Collection, Kleinburg, Ontario, May 15 to October 31, 1999. Entire issue on one pdf. To access article, scroll to page 46.

Website contains links to photographs of paintings, videos, songs, etc. Accompanying Teacher Resource Guide.

Speaker discusses her curatorial practices with special reference to developing the exhibition Through Their Eyes: Paintings from the Santa Fe Indian School.

A Thunderbird depicted on rock at Reindeer Lake, Sask.

Review of In the Absence of Horses and Where IS Treaty Land?, a 2004-2005 exhibition in Manitoba.

Interview with the Cree artist.

Interview with the Musogee artist.

Interview with the Northern Arapaho artist.

Interview with the Ojibwe artist.

Interview with the Plains Cree artist and curator.

Interview with the Maidu artist; includes a list of select exhibitions and a short bibliography.

Interview with the Colville artist; includes list of selected exhibitions and a short bibliography.

Interview with the Cochiti artist.

Interview with the Tuscarora artist; includes a select list of exhibitions and bibliography.

Interview with the Yuchi artist and photographer.

Interview with the Yurok artist; includes list of selected exhibitions and a short bibliography.

Interview with the Cherokee artist and curator; includes select list of exhibitions of her work.

Interview with the Mohawk artist; includes select list of exhibitions of her work.

Brief article accompanied by examples of his work. Entire issue on one pdf. To access article, scroll to p. 10.

Consists of an interview about the tipis of the Blood Indians; hide preparation, cutting of poles, erection, decoration, furnishing. Also includes some information on transportation by horse and travois.

Looks at the similar characteristics between rock paintings and Sámi drum symbolism.

Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.

Examines social & political events and contexts and the media coverage that surrounded the work and career of painter Tonita Peña; considers the production and reception of their work and asks to what extent Peña’s work responded to their audience.

Review of exhibition held at the Marion Scott Gallery, Vancouver, B.C. Entire issue on one pdf. To access article, scroll to p. 34.

Brief profiles of: Seojuke, Jutai, and Sam Toonoo, and Olivoo Tunnillie. Entire issue on one pdf. To access article, scroll to p. 12.

1 postcard depicting one totem pole, man and two cars. A Nanaimo city block in background.

Discusses artists, entertainers and oneself as role models. Article located by scrolling to page 12.

Brief discussion of the changes in art, including the tools and materials used, during a period of great social and cultural upheaval.

Brief discussion of art from the time museums ceased collecting extensively to the present, with some discussion on the prominent artists and their particular art form.

Book reviews of: Spirits of the Water: Native Art Collected on Expeditions to Alaska and British Columbia, 1774-1910 edited by Steven C. Brown. Souvenirs of the Fur Trade: Northwest Coast Indian Art and Artifacts Collected by American Mariners, 1788-1844 by Mary Malloy. The Transforming Image: Painted Arts of Northwest Coast First Nations by Bill McLennan and Karen Duffek. Northwest Coast Indian Paintings: House Fronts and Interior Screens by Edward Malin Susan Point: Coast Salish Artist edited by Gary Wyatt.

Thesis (Ph.D.)--Southern Cross University, 2008.

Documents the full circle of learning that takes place within the building of drums.

Discusses how renovations to the museum have changed the way Inuit art is displayed. Entire issue on one pdf. To access article, scroll to p. 10.

Examines the work of Frederick Alexie (Frederick Alexcee), a Tsimshian carver and painter and Mathias Joe, a Squamish carver, during the assimilation policy period of 1867-1951 in British Columbia.

Curatorial notes for exhibition of the same name at the Canadian Cultural Centre, France, 1997 and The Waikato Museum of Art and History, New Zealand, 1997. Entire issue on one pdf. To access article, scroll to page 32.

Website for traveling exhibition includes links to two curatorial essays and biographies and works by 24 artists from the collection of Indian and Northern Affairs Canada.

Explores how a number of nineteenth-century paintings perpetuated and/or challenged the culturally dominant ideas of "Orientalism" and "domestic ideology".

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. A painting of two Aboriginal women, with two horses and a dog. They are depicted travelling on the prairie. Each of the animals is hitched to a travois that carries a large bundle.

Describes a travelling art exhibit, worked on by over 300 students and guided by Cree/Métis artist Ray Keighley, that bring treaties to life as an art form. Article located by scrolling to page 15.

Discusses the art works created as part of the author's The Treaty Lands Project, focusing on the research conducted for the The Treaty 3 Suite (Outside Promises). Forward and part IX from: Papers of the Rupert's Land Colloquium 2008: The Centre for Rupert's Land Studies at The University of Winnipeg: May 14 to 16, 2008, Rocky Mountain House, Alberta edited by Margaret Anne Lindsay and Mallory Allyson Richard; foreword by Jennifer S. H. Brown.

Painter and comic book artist speaks about his work. Duration: 1:04:02

English and Film Studies Thesis (M.A.)--University of Alberta, 2012.

Discusses the visual and symbolic language used in the work o Chiricahua Apache artist Bob Haozous.

Comments on the career of an artist based in Santa Fe, New Mexico. Article located by scrolling down page.

Looks at the use of "Trickster", in First Nations cartoons, to question political policies and colonial power.