Painting, Drawing

Collection of Dr. Peter Purdue, College of Education, University of Saskatchewan. Published in Harper's Weekly, May 9, 1885 [Page] 297. No article associated with this image in the newspaper. Drawn by T. De Thulstrup from sketches in the Toronto "War News."

Survey finds that creative arts make a significant contribution to the safety, development and well-being of the participants.

Introduction and brief biographies of artists who participated in residency: Richard Bell, Rosalie Favell, Cat Fink, Alex Janvier, Nadia Myre, Edward Poitras, Jen Rae, Greg Staats, and Tania Willard. Includes images and list of works.

An ethnoastronomic analysis of Rita Letendre's paintings.

Excerpt from The Spiritual in Art: Abstract Painting, 1890-1985.

Anthropology Thesis (M.A.)--The University of Arizona, 2000.

Looks at anthropology as a form of translation, how the forms of meaning, including arts, of one culture can be understood by another culture.

Commercial site featuring 40 examples of the artist's early prints, with a rating on their condition.

Exhibition catalogue for a series of drawings based on the artist's residential school experiences.

Discusses how Robert Houle communicates with his Aboriginal heritage by relaying personal and cultural histories in his work.

Archaeology Thesis (M.A.)--University of Saskatchewan, 2003.

History Thesis (Ph.D.)--University of California, Riverside, 2010.

Art History Thesis (Ph.D.)--The University of New Mexico, 1998.

Anthropology Thesis (Ph.D.)--The University of British Columbia (Vancouver), 2016.

A painted overhang at Kipahigan Lake, Manitoba. [Group to South]

Forms part of Bulletin of the American Museum of Natural History, v.8 (p.227-230).

Archaeologist Tim E.H. Jones is interviewed about the rock paintings found in northern Saskatchewan, many of which lie along the Churchill River System. Photographs: first page: a painting of Indians making rock paintings. Second page: two photos of paintings. Third page: a map and two rock paintings.

Traveling exhibition features pop artist's study of Aboriginal history and culture.

Brief article gives information about the painter, her style of painting, and views on identity and culture.

Discusses chalk and water colour images of Indian visitors to Washington, D.C., which are among the earliest and most accurate interpretation of Plains Indians by a non-Indian artist.

Comments on an exhibition of 77 artists with more than 150 artworks representing Indigenous peoples from 16 countries.

Looks at artwork by Lawrence Paul Yuxweluptun that reflect the effects of mining, clear-cutting and other intrusions which are destroying Coast Salish lands.

Looks at the loss of Sámi traditional worldview, knowledge, and cultural practices due to the conquest by the Lutheran Church of the Sámi.

Profile of an Inuit artist who is known for his acrylic paintings on buildings as well as his work in other media. Entire issue on one pdf. To access article, scroll to page 19.

Discussion of statues of saints which are described as a primitive form of Christian art executed by early converts.

Note: The title of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. An image of an Aboriginal women wrapped in a blanket and standing next to a horse, which is hitched to a travois. There are teepees in the background and an Aboriginal man seated on a stool.

Note: The description of this document uses wording that was common to mainstream society of that time period in history. As such, it contains language that is no longer in common use and may offend some readers. This wording should not be construed to represent the views of the Indigenous Studies Portal or the University of Saskatchewan Library. A short article on the ongoing Northwest Resistance and some biographical information and a sketch of Louis Riel from the perspective of an Eastern Canadian Newspaper. Includes a large sketch of Louis Riel "in his costume of a Canadian half-breed."

Caption: "This is how an artist pictured Saskatoon (the Nutana side) when the Riel Rebellion was in progress. Wounded from the battles of Fish Creek and Batoche, 85 in number, were brought to Saskatoon for treatment by professionals and volunteers. Three houses in the vicinity of the present Nutana Collegiate Institute were used as hospitals."

Comments on the accomplishments of Indigenous artists, writers, musicians and dancers and the honourable way in which they have led Aboriginal people. Article found by scrolling to page 5.

Discusses the differences between sand art for spiritual ceremonies and commercialized sand painting for the western art-market.

Arts Thesis (Ph.D.)--University of Sydney, 2015.

Discusses how Aboriginality is depicted in the Gallery's opening display.

Symposium honoring Kay WalkingStick held at the National Museum of the American Indian November 5, 2015. Features 12 symposium videos divided into 2 sessions. The first session discusses Kay's personal approach to making art. The second session discusses the larger context of her work in art, history, society and culture. Session 1 - Duration: 81:40 Session 2 - Duration: 127.25

Report of the proceedings held in conjunction with the exhibition, The Drawings and Paintings of Daphne Odig, a Retrospective Exhibition at the Art Gallery of Sudbury in October 2007.

Exhibition review from the McMichael Canadian Art Collection, Kleinburg, Ontario, 1996. Entire issue on one pdf. To access article, scroll to page 43.

Biographical essay on the subject of a painted portrait, Zacharie Vincent, aka Tehariolin (1815-1886) at a time of the, "vanishing Indian".

Two Indigenous women in traditional dress standing on either side of Herb Sellin portrait of John Diefenbaker in Calgary.

Analyzes pictorial styles of different robes in an effort to identify which tribes produced them. Excerpt from: Studies in American Indian Art: A Memorial Tribute to Norman Feder edited by Christian F. Feest.

Profile of artist Jane Ash Poitras.

Consists of an interview with George First Rider where he tells the story of a medicine man named Bear Hat (later renamed Curlew). He tells how Bear Hat was revived after serious injury and how Bear Hat healed a young man wounded in a battle.

Consists of an interview with George First Rider where he tells the story of a boy given supernatural powers by the bears and of his subsequent success as a healer of his own wounds and those of other people or animals.

Discusses the competing perspectives in the movement among Anglo women to revive and preserve paintings and pottery of Native American Indians.

Exhibition mounted by the Saskatchewan Arts Board. Includes two essays, a list of works and artist's statements, biographies and a digital re-creation of the exhibition. Artists exhibited: Richard Agecoutay, Bob Boyer, Dennis Bruce, S. Ruth Cuthand, Sherry Farrell, Ray Keighley, Ann McLean, Janice M. Morin, Sheila Orr, Edward Poitras, Celina Ritter, Kathleen Wasacase-Janzen, Jerry Whitehead.

Chief Councilor of the Hupacasath Nation shares her story, place of being and knowledge about ceremonies, designs on Ceremonial Curtains and her own Ceremonial Curtain. Duration: 1:03:13.

Explores the information that can be gathered from 19th century Plains drawings and paintings.

Leadership, Higher and Adult Education Thesis (Ph.D)--University of Toronto, 2017