Weaving

Paper read before the National Association of Cotton Manufacturers at their Eighty-Eighth Meeting. Boston, Mass., April 27, 1910.

Anthropology and Archaeology Thesis (M.A.)--University of Saskatchewan, 1995.

Discusses the survival of traditional Andean textile traditions and how they are linked to the people’s environment and their ancestors. Scroll down to access article.

Visual Arts Thesis (MFA)--University of British Columbia, 2016. From the installation, The Length of Grief: The Daughters of Métis Mothers.

Discussion with three artists about the challenges they face creating their work due to shortages of resources and environmental factors. Part 1 of 2. Duration: 53:30.

Question and answer session with three artists discussing challenges they face due to shortages of resources and environmental factors. Part 2 of 2. Duration: 22:32.

Survey of sixteen artists judged to be innovators in the areas of photography, pottery, sculpture, weaving, and writing.

History of the Pangnirtung Weave Shop. Entire issue on one pdf. To access article scroll down to appropriate page.

Presentations on collaborative research: Part 1: Research in Museums and it’s Contribution to Native Communities by Pat Courtney Gold. Part 2: Remembering Heritage Through the Arts in Alaska's Communities by Nadia Jackinsky Sethi. Part 3: G̱a̱lg̱a̱poła (Working Together) – A Collaborative Reframing of Kwakiutl Film and Audio Recordings with Franz Boas by Kathryn Bunn Marcuse, Kaleb Child, Coreen Child and Tom Child. Duration: 2:02:05

First presentation discusses dance groups which perform both traditional and modern works and decolonizing the field of art history. Second presentation discusses resilience as demonstrated by women weavers, with a focus on octopus bags created by artist Shgen Doo Tan George. Third presentation discusses the two house posts carved for the Burke Museum as replacements for the originals which had been repatriated. Duration: 1:25:12.

Curator discusses subject matter of works in the exhibition. Entire issue on one pdf. To access article, scroll to p. 48.

Analysis of the Navajo economy, focusing on the middleman activities of the traders in relation to the Navajo crafts industry.

Brief articles discusses the connection between venues selling local vendors crafts as well as being a forum to increase global understanding of Indigenous rights, cultures, and concerns.

Filmmaker screens and briefly discusses the short Share the Wealth, and the documentary Weaving Worlds. Duration: 1:22:37.

Over 700 citations for books, catalogues of exhibitions, and other sources.

Book reviews of 20 books: Being and Place Among the Tlingit by Thomas F. Thornton. The Cultivation of Resentment: Treaty Rights and the New Right by Jeffery R. Dudas. Diabetes Among the Pima: Stories of Survival by Carolyn Smith-Morris. Essential Song: Three Decades of Northern Cree Music by Lynn Whidden. First Families: A Photographic History of California Indians by L. Frank and Kim Hogeland. Households and Hegemony: Early Creek Prestige Goods, Symbolic Capital and Social Power by Cameron B.

Book review of: The Chilkat Blanket by George T. Emmons, with Notes on the Blanket Designs by Franz Boas.

Book reviews of 20 books: American Indians and State Law: Sovereignty, Race, and Citizenship, 1790-1880 by Deborah A. Rosen. Architectural Variability in the Southeast edited by Cameron H. Lacquement. Art from Fort Marion: The Silberman Collection by Joyce M.

Book review of: Navajo Pictorial Weaving: 1880-1950: Folk Art Images of Native Americans by Tyrone Campbell, Joel Kopp and Kate Copp.

Participants in the National Museum of the American Indian Artist Leadership Program from Canada, United States and Peru discuss their work and participate in a panel discussion. Duration: 1:39:43.

Native American Studies Thesis (Ph.D.)--University of California, Davis, 2005.

Fine Arts Thesis (M.A.)--University of British Columbia, 2001.

Forms part of Memoirs of the American Museum of Natural History, v. 3 (p. 329-404).

Focuses on Tlingit crest designs woven on the front panels of the Chilkat tunics and the transitioning of these patterns to certain styles used in weaving.

Looks at the exchange of knowledge surrounding weaving practices and its contribution to community identity and belonging.

Discusses Salish Coast classic weavings and unique techniques used by the Salish and design.

Five panelists discuss their artistic practice and how their culture influences their work. Duration: 1:31:47.

Discusses the weaving revival which has taken place among Musqueam and Stó:lo women.

Describes the process involved in producing a CD, which was the result of the Weaving Teachers Resources Project undertaken by the Canadian Museum of Civilization and practicing artists.

American Indian Studies Thesis (M.A.)--University of Arizona, 1990.

Looks at a form of weaving that was practiced only for about 20 years.

A coloured postcard of Cree Native woman fashioning a basket from birch bark. She may be Flora Netmaker as identified by Norman Lalonde who had this same postcard. Photo was taken at Whitefish Reserve (North of Sasny Lake reserve, near Debden)

Looks at historical and ethnographic records to see if the diatomaceous earth found in museums with Coast Salish collections is the same earth used to coat the wool used in Salish spinning.

Contends that weaving has an important place in the Navajo religion and that it continues to evolve and change with the times.

Four interviewees discuss Isabel Rorick's weaving, the argillite platters, the artist's place in the history of art in British Columbia, and his influence one descendant's work. Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.

Anthropology Thesis (Ph.D.)--The University of Arizona, 1997.

Examines the cultural crossroads, the compromises demanded and the benefits promised various participants.

Image of two young women sitting at spinning wheels outside a house. Inscription reads: "Emma Bear and Susan Bear. Little Pine Res. Spinning"

Website for virtual exhibit contains links to images listed by artist and region, study lab, resources, basket game and the Burke Museum database.

A photograph of four birch bark baskets with designs. There is no date. On the back is written: Little Grand Rapids on Family Lake. Still live in old ways - Soto tribe. Until recently did not know about roads. Barren's River - east coast of Lake Winnipeg.

Book review of From the Hands of a Weaver edited by Jacilee Wray. Entire book review section on one PDF. To access this review scroll to p. 157.

[Art] Thesis (M.A.)--Western Washington University, 1996.

Book reviews of: The Grand Hall by Leslie Tepper. Treasures of the RoyalBritishh Columbia Museum and Archives compiled by Jack Lohman. Entire book review section on one pdf. To access this review scroll to p. 137.

Ethnohistory Thesis (Ph.D.)--University of Alaska Fairbanks, 2018.