Artist's website contains links to: exhibitions, list of performances (includes six videos), publications, bio and curatorial essays.

Overview of Belmore's art work, who often portrays images that don't adhere to the expected conceptions of Indigenous peoples of North America.

Review of: Le Monde de Tivi Etok: La Vie et l'Art d'un Aîné Inuit by Joby Weetaluktuk and Robert Bryant. Review in French.

Book review of: Reclaiming History: Ledger Drawings by the Assiniboine Artist Hongeeyeesa by Valerie Robertson.

Article analyzes the songs of Jessie "Ed" Davis (1944-1988), a noted Native American musician.

Book review of: The Red Man's Bones by Benita Eisler.

Exhibition catalogue.

Art History Thesis (M.A.)--University of Saskatchewan, 2011.

Liberal Studies Thesis (M.A.)--Simon Fraser University, 2007.

Educational Research Thesis (Ph.D.)--University of Calgary, 2005.

Comments on early twentieth century Native American artists and their paintings.

Native American Studies Thesis (M.A.)--University of California, Davis, 2009.

Jackie "La-Sah" Timothy, master carver talks about the culture of the Sliammon people who live along the coast of British Columbia.

Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.

“Documents the carving and raising of 'The Respect to Bill Reid' totem pole at the UBC Museum of Anthropology in 2000.” Artists, pole figures, tools, and a Haida village at the Museum are featured.

Book reviews of: All My Sins Are Relatives by William S. Penn. Aniyunwiya/Real Human Beings: An Anthology of Contemporary Cherokee Prose edited by Joseph Bruchac. Becoming and Remaining a People: Native American Religions on the Northern Plains by Howard L.

Book reviews of: The Alabama-Coushatta Indians by Jonathan B. Hook. American Indian Sovereignty and the U.S. Supreme Court: The Masking of Justice by David E. Wilkins. The Antelope Wife by Louise Erdrich. Apocalypse of Chiokoyhikoy: Chief of the Iroquois by Robert Griffin and Donald A. Grinde. Dissonant Worlds, Roger Vandersteene Among the Cree by Earle H. Waugh. Early Native American Writing edited by Helen Jaskoski. Edward S. Curtis and the North American Indian, Inc. by Mick Gidley. A Grammar of Bella Coola by Philip W.

Book reviews of: America’s Second Tongue: American Indian Education and the Ownership of English, 1860–1900 by Ruth Spack. Anthropologists and Indians in the New South edited by Rachel A. Bonney and J.

Book review of: Blood Struggle: The Rise of Modern Indian Nations by Charles Wilkinson. Chinnubbie and the Owl: Muscogee (Creek) Stories, Orations and Traditions by Alexander Posey. Choctaw Women in a Chaotic World: The Clash of Cultures in the Colonial Southeast by Michelene E. Pesantubbee. A Colonial Complex: South Carolina’s Frontiers in the Era of the Yamasee War 1680–1730 by Steven J.

Book reviews of: Powhatan's Mantle: Indians in the Colonial Southeast edited by Peter Wood. Navajo Textiles: The William Randolph Hearst Collection by Nancy J. Blomberg. Utmost Good Faith: Patterns of Apache-Mexican Hostilities in Northern Chihuahua Border Warfare, 1821-1848 by William B. Griffen. The Confederate Cherokees: John Drew's Regiment of Mounted Rifles by W.

Textiles and Clothing Thesis (Ph.D.)--Ohio State University, 1986.

Biography of an artist whose exhibition was mounted at the National Museum of the American Indian's George Gustav Heye Center from November 8, 2003-February 1, 2004.

Introduction and brief biographies of artists who participated in residency: Richard Bell, Rosalie Favell, Cat Fink, Alex Janvier, Nadia Myre, Edward Poitras, Jen Rae, Greg Staats, and Tania Willard. Includes images and list of works.

Book review of: Robert Davidson by Barbara Brotherton, Sheila Farr, and John Haworth.

Exhibition catalogue for a series of drawings based on the artist's residential school experiences.

The 22.17 minute video, titled 'La Ronge Indian Days', records the visit to La Ronge of a number of well-known Indian performers including singers Shannon Twofeathers and Winston Wuttenee, hoop-dancer Billy Brittain, and Vic Thunderchild and his Pow Wow Dancers.

Historical note:

A video made by La Ronge Community Television recording the 1978 La Ronge Indian Days.

RCAP 138 contains a transcript of a portion of a sitting of the Royal Commission on Aboriginal Peoples at the Westbury Hotel, Toronto, Ontario. Subjects discussed include the arts, education, legal issues, economic development and employment.

RCAP 148 contains a transcript of a portion of a sitting of the Royal Commission on Aboriginal Peoples at the Westbury Hotel, Toronto, Ontario. Subjects discussed include community policing, substance abuse, Metis and Non-Status rights, the arts, the environment. Each presentation can be viewed individually on this site.

File contains a presentation by Jack Houle that describes the difficulty of opening a business in Edmonton while being an off-reserve resident. Roadblocks for funding come from various Aboriginal organizations and his own First Nations. He calls on the Commission to help him secure funding. A question-and-answer session with the Commissioners follows the presentation.

File contains a presentation by Joseph Sagutch. Sagutch discusses his artistic contribution to the Commission in designing its offical logo. Sagutch goes over the cultural significance of the different aspects of the logo in his own view as designer.

This file contains a presentation by Marie Mumford, Sandra Laronde and Elaine Bomberry relating to Aboriginal people in Canada involved in the arts and culture. A number of Aboriginal organizations and schools involved in art, dance, theater and music exist in Canada and most could benefit from government funding. Some students who cannot afford to pay tuition are sometimes funded by their First Nations or through family and relatives, but the presenters feel that Aboriginal art and culture would thrive if more financial assistance was available for students.

This file contains a presentation by members of the Calgary Aboriginal Awareness Society, a non-profit organization that takes direction from an elected board of Directors. The society consists of a number of committees that represent education, social issues, arts and culture, business and all aspects of the Aboriginal community. The Society promotes goodwill and understanding between Aboriginal and non-Aboriginal communities. The Society holds a yearly Native Awareness Week, a celebration of Aboriginal culture and traditions.

File contains a presentation by Mary Jane Litchard, Baleen Artist. Litchard, an Inuit-Comanche woman from Alaska, discusses her experiences in Canada and issues with the international border, her difficulties transporting the Baleen she works on as a medium across boundaries, language issues, midwifery, tuberculosis and other health issues, prejudice, and the value of community counselling and healing services. Following the presentation is a conversation between Litchard and Commissioners Dussault and Sillet on some of the issues raised.

File contains a presentation by Maxine Noel. Noel, a professional artist, discusses the difficulties for female Aboriginal artists, and lauds the Canadian Native Arts Foundation for its endeavours and assistance to artists. Following the presentation are comments by Commissioners Erasmus, Dussault, and Chartrand for Noel. Following this are brief remarks by John Kim Bell on behalf of the Canadian Native Arts Foundation.

File contains a presentation by Vern Harper. Harper discusses some of his views on Aboriginal people's place within Canadian society, and on artistic and cultural concerns. Harper also relates some of his own personal life story.

This file contains remarks by Ruby Arngna'naaq relating to Inuit art. The slide show features artists from northern Canada whose works portray the effects of suicide on family and friends. Arngna'naaq states that the artists are raising funds to bring their show to southern Canada. Maggie Hodgson, Chairperson, offers brief remarks at the end of the slide show.

Saskatoon's Mendel Art Gallery features the Prince Albert, SK born artist in a comprehensive, mid-career retrospective.

Curriculum and Instruction Thesis (Ph.D.)--Indiana University, 2006.

Brief article gives information about the painter, her style of painting, and views on identity and culture.

Autobiographical sketch of a curator from the Mohawk Nation at Kahnawake, Quebec.

Discusses chalk and water colour images of Indian visitors to Washington, D.C., which are among the earliest and most accurate interpretation of Plains Indians by a non-Indian artist.

Comments on an exhibition of 77 artists with more than 150 artworks representing Indigenous peoples from 16 countries.

Looks at artwork by Lawrence Paul Yuxweluptun that reflect the effects of mining, clear-cutting and other intrusions which are destroying Coast Salish lands.

Interview with the artistic director of media and visual arts at the Banff Centre for the Arts.

Booklet relating to the purpose and goals of the Saskatchewan Indian Cultural College, located in Saskatoon, SK. Details of various programs offered by the College are given, including child care worker and Indian teacher education programs.

Reports on Angelique Merasty, the last known person who performs the traditional craft of birch bark biting.

Catalogue of art assembled from the personal collection of Dr. Bernard Cinader for an exhibition at the Mackenzie Gallery. Artists include Del Ashkewe, Jackson Beardy, Daphne Odjig-Beavon and Elda Smith.

Profile of artist Jane Ash Poitras.