Film

Video review of: The Mind of a Child by Face to Face Media Society in association the National Film Board of Canada.

Communications Studies Thesis (M.A.)--Concordia University, 2004.

To Access Review, Scroll Down to Page 90-92. Book review of: Mixedblood Messages: Literature, Film, Family, Place by Louis Owens.

Director of documentary about four siblings separated through adoption during the infamous "Sixties Scoop" answers questions from audience. Duration: 23:06.

Analysis of the movie Noho Hewa by Anne Keala Kelly.

Comments on the societal impacts of Native American stereotypes in film. Marketing Honors Paper (B.A.)--Kent State University, 2017.

Analyzes the representation of Native Americans in early films set in the American West.

[Natural Resources and Conservation?] Thesis (M.Sc.)--Cornell University, 2010.

Sociology and Criminology Thesis (M.A.)--University of Manitoba, 2018. Looks at four documentaries: Finding Dawn; The Pig Farm; Missing: The Documentary; and Highway of Tears.

Contends that the author uses his characters to illustrate the damage stereotypes, imposed by the dominant culture, have inflicted on the Native American psyche. Entire issue on one pdf. To access article, scroll down to appropriate page.

Author reflects on his acting career and mentions, although he enjoys acting, lacking the motivation to do more work in the industry. Article found by scrolling to page 12.

Examines athletic achievements, personal troubles, and posthumous honours and discusses the movie Jim Thorpe -- All-American.

Discusses director Robert Flaherty's methodology, which combined aspects of a documentary with a fictional storyline, and his portrayal of the Inuit in film.

Anthropology Thesis (M.Sc.)--Florida State University, 2007.

Video on the Aboriginal Youth Video Project, which involved teaching 12 young people from Richmond, B.C. how to create a video story of their experiences of growing up in their community.

Fine Arts Thesis (M.A.)--Ohio State University, 2013.

Argues that despite differing styles of Indigenous filmmaking, they share a world view that makes them distinct from mainstream productions.

Thesis (Ph.D.)--University of Vienna, 2010.

Argues that radio and television portrayals mirrored earlier treatments in film and print, and that they were driven by economics and programming requirements.

Book review of: Native American Representations edited by Gretchen M. Bataille. Entire issue on one pdf. To access article, scroll down to appropriate page.

Paper focuses on responses to Westerns, explains why controlling their public image is important to Native Americans and discusses use of how they are using film and video documentaries to re-present themselves.

[Teaching English and German as a Foreign Language?] Thesis (M.A.)--J.J. Strossmayer University in Osijek, 2013.

List compiled by the Michigan State University Library. Most are American films, but some originate in Canada.

Contains American and Canadian collections housed in the Ethnic Studies Library at the University of California, Berkeley.

Compares East German cowboy and Indian films to U.S. and West German films and discusses the Czechoslovakian film, Lemonade Joe.

Bibliography is broken down into books/videos and journal articles; also searchable by individual titles.

Book review of: Native Americans on Film edited by M. Elise Marubbio and Eric L. Buffalohead. Entire issue on one pdf. To access review, scroll to page 125.

Discusses using Stagecoach and The Revenant in a Swedish English as a foreign language classroom. Bachelor Thesis, Linnaeus University, 2017.

Publication of paper presented at Western Social Science Association 2018 Meeting, American Indian Studies Section. Author describes the current state of journalism and news media in the United States, discusses issues of funding, populism, political criticism, and the effects of data mining; examines the implications for Indigenous peoples, scholars and journalists.

Argues that through media Indigenous peoples can develop a new sense of community while still maintaining traditional values and communication forms.

Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.

Quileute Elder relates traditional stories and discusses the way Quileute culture has been presented in the Twilight books and movies. Duration: 1:10:03.

Introduces the essays in this special issue.

Analyzes films produced by selected on-reserve Navajo people for cultural and verbal grammar, narrative style and methods, the social organization of learning filmmaking, and choice of subjects and actors.

Examines the content of studio publicity materials to discover traces of the labour and negotiation performed by Indigenous actors in the development and maintenance of their public personas while working in studio Hollywood. Author argues that actors were able to use their public personas to critique and influence onscreen representations of Indigenous people.

The video, titled 'Nehethow Pimatisiwin: Cree Way of Life, Woodland Cree of Stanley Mission' (English Version), records a cultural camp at Stanley Mission during which various traditional activities are displayed. Camera, Script, and Post-Production are by Sam Hardlotte, and Narration is by Robert Merasty.

Historical note:

A video made in 1994 by Saskatchewan Education, Training & Employment, Northern Education Services Branch, in partnership with Pahkisimon Nuye?ah Library System, recording the Cree way of life.

Review of the films: Picturing a People: George Johnston, Tlingit Photographer directed by Carole Geddes and Shooting Indians directed by Ali Kazimi.

Review of a film that presents two feuding Winnipeg gangs--one Aboriginal and one Filipino.

Thesis (Ph.D.)--University of Vienna, 2014.

Examines the conceptual challenges of a national cinema; describes the political and creative utility in the Native Southwest; looks at the work of Larry Blackhorse Lowe, Nanobah Becker, and Bennie Klain; and discusses the challenges that might undermine the prospects for a Navajo national cinema.

Describe three new videos designed to educate and preserve Australian Aboriginal culture, history and values.

Looks at the priorities of the National Film Board with the examination of a series of short films for the 2010 Vancouver Olympics which used Aboriginal people as a marketing tool.

Film, Television and Media Studies Thesis (Ph.D)--University of Aukland, 2011. Focuses on films by Don Selwyn (Te Tangata Whai Rawa o Wēniti - Māori Merchant of Venice), Merata Mita (Mauri) and Barry Barclay (Ngati).