Galleries, Museums & Exhibitions

Visual Arts Thesis (M.A.)--Texas Woman's University, 1999.

Explanation of potlatch festival with annotated photographs.

Indigenous Nations Studies Thesis (M.A.)--University of Kansas, 2012.

Curator highlights works featured in the exhibition of Inuit Art. Entire issue on one pdf. To access article, scroll to p. 25.

American Studies (M.A.)--University of New Mexico, 2013.

Produced in conjunction with an exhibition of 11 examples of regalia worn by dancers. Contains links to series of ten videos about the history of the powwow, curator's talk and demonstrations of the various dance styles. Related material: Educational Guide

Art of First Nations a featured exhibit entitled Canadian Indian Art '74, at the 10th Annual Conference of the World Crafts Council in Toronto.

Library, Archival and Information Studies Thesis (MLIS)---University of British Columbia, 2004

Introduces special issue written, compiled and edited by Aboriginal peoples from British Columbia.

Integrated Studies in Education Thesis (Ph.D.)--McGill University, 2017.

History Thesis (M.A.)--University of Victoria, [2006].

Highlights issues discussed at the Preserving Our Heritage: A Working Conference for Museums and First Peoples. Entire issue on one pdf. To access article scroll down to appropriate page.

Book review of: Preserving What is Valued by Miriam Clavier.

Comments on the many documents and objects that reflect the heritage of the Northwest Territories that are housed in the Prince of Wales Northern Heritage Centre.

Centre located in Yellowknife, Northwest Territories features Aboriginal and European history in the North. Includes links to online exhibits, searchable databases (archives, place names, more than 9000 photos, sound), and resources for researchers and teachers.

Suggests new approaches are needed to address the issues of repatriation and historical failures of past collecting and curating.

Curatorial notes for an exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, Ontario, November 5, 2001 to January 27, 2002. Entire issue on one pdf. To access article, scroll to page 36.

"This paper surveys the reasons why attempts to utilize genetic science in repatriation should be abandoned, and more intensive efforts to use spatial information should be implemented instead."

Contends that museums of the future will need to take the initiative in designing their relationship with Indigenous peoples regarding responsibilities in collecting, preserving, and interpreting Indigenous heritage.

Indigenous Nations Studies Thesis (M.A.)--University of Kansas, [2008?]

Looks at exhibition held at grunt gallery spanning one year involving four projects; Native Hosts, Wheels, Insurgent Messages and the Words, Trees, Chiapas/In Honor of EXLN . Scroll down to page 35 to read article.

Lists size of collection, areas of strength, donors, exhibitions, methods of acquisition, and curator for each institution. Entire issue on one pdf. To access article scroll down to appropriate page.

Uses the exhibition as an example of choices made in the interest of advertising and promotion, and the messages they send to the viewing public. Entire issue on one pdf. To access article scroll down to appropriate page.

Discusses retrospective exhibition of artist's drawings mounted at the National Gallery of Canada. Entire issue on one pdf. To access article scroll down to appropriate page.

Comments on the annual August event which features the work of over 1000 artists.

Brief description of the five collections that form the bulk of the Museum's Southwestern holdings: Hazzard-Marta Collection: Relics from the Cliffdwellings The Donaldson Collection: Into the Pueblos The Wanamaker Expedition: Staying Ahead The Gottschall Collection: Commerce and Collecting The Stephens Collection: An Artist's Eye

Examination and exploration into artwriting and the prominance of the Native American art market.

Arts Administration Thesis (M.A.)--The Savannah College of Art and Design, 2012.

Museology Thesis (M.A.)--University of Washington, 2017.

Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000. Entire issue on one pdf. To access article, scroll to page 38.

Review of exhibition curated by Marie Routledge with work from 1960's to 1980's by Baker Lake's best known and innovative artists. Entire issue on one pdf. To access article, scroll to page 19.

Exhibition review at the Macdonald Stewart Art Centre, Guelph, Ontario, 1995. Entire issue on one pdf. To access article, scroll to page 30.

Discusses responsibilities for understanding Queer identity both externally and internally. Accompanying interview. Accompanying presentation.

Describes the 8 week Arctic tour of Invitation: the Quilt of Belonging, which involved the transport of a16 person team and the120 feet long, 10 feet high quilt with 263 blocks, one for each nation of the world.

Discusses the decolonization process, which the author states is accomplished by, "moving the center", in this case, from Europe to their own centers. The writer concludes that "underneath the new globalized skin" is the same Euro-defined ethnicity, carrying the same biases that are written into scripts.

Looks at the performance project Radio Healer that combines traditional Indigenous music and performances with modern digital technologies. From PDC '14: Proceedings of the 13th Participatory Design Conference: Short Papers, Industry Cases, Workshop Descriptions, Doctoral Consortium papers, and Keynote abstracts -- Volume 2

Exhibition features works by 33 artists which were drawn from the Indigenous and Northern Affairs Canada Indigenous Art Collection.

Comments on the museum supporting the collection and trade of Aboriginal remains.

Artist talks about his upcoming solo show at the Steinbrueck Native Gallery, Seattle, Washington. Duration: 23:17.

Review of an exhibition at the Inuit Gallery of Vancouver from April 30 to May 20, 1994. Entire issue on one pdf. To access review, scroll to page 30.

History of this rare pamphlet.

Curatorial notes from exhibition of the same name mounted at the Peabody Museum of Archaeology and Ethnology/Tozzer Library, Massachusetts, 2001. Entire issue on one pdf. To access article, scroll to page 30.

Artists featured include Patrick Amos, Dempsey Bob, Reg Davidson, Andy Everson, Roy J. Hanuse, and Mark Henderson.

Conversation between Vancouver based artist and art historian in conjunction with exhibition, (And) Other Echos which is inspired by the 1961 film, The Exiles. Duration: 1:15:21

[Education?] Thesis (Ph.D.)--University of Georgia, 2011.

Website explores the excavation, weaving techniques and conservation of basketry artifacts found on the banks of the Snoqualmie river. Includes audio, text and video.

Analysis of Kent Monkman's 2006 series of photographs entitled, The Emergence of a Legend which shows his alter ego.

Discusses how societies thoughts about objects have changed.

Speaker discusses the history of the relationship between the disciplines of anthropology and natural history, and the treatment of American Indians as specimens and a "vanishing" race. Duration: 26:23.