Galleries, Museums & Exhibitions

Book review of: Neqamikegkaput / Faces We Remember edited and compiled by Igor Krupnik and Vera Oovi Kaneshiro.

Brief description of three communities and their artists. Entire issue on one pdf. To access article, scroll to page 38.

Virtual exhibition and database containing more than one million images commemorating the 400th anniversary of French presence in North America

Questions to what extent is and was the (National) Museum of the American Indian (NMAI) collection unique and 'new' in comparison to other Indigenous collections.

Author examines if/how the National Museum of the American Indian (NMAI) in Washington, DC differs from its predecessor the Museum of the American Indian (MAI) in New York City.

Examines the pain and rage in the performances of Ahasiw Maskegon-Iskwew and Lawrence Paul Yuxweluptun work.

Thesis (Ph.D.)--University of Amsterdam, 1999.

Book review of: Nitsitapiisinni by The Blackfoot Gallery Committee.

American Studies Thesis (Ph.D.)--The University of New Mexico, 2014.

Book review of: No Deal! edited by Tressa Berman.

Author critically engages with the exhibits that were on display at the National Museum of the American Indian (NMAI) at its opening on September 21, 2004. Focuses on the role of the NMAI in the education of the public and in disrupting the colonial perspectives on Indigenous peoples.

Considers three key strategies to articulate the place of Indian arts in broader Indigenous studies.

Curatorial notes for the exhibition. Entire issue on one pdf. To access article, scroll to p. 13.

Discusses three national museums in Stockholm with different but interconnected collections. Paper from Conference Current Issues in European Cultural Studies organized by the Advanced Cultural Studies Institute of Sweden, 2011.

Examines the linkage between local knowledge and the photographs.

Art History Thesis (M.A.)--University of Arizona, 2016.

Communication, Information and Library Studies Thesis (Ph.D.)--Rutgers, the State University of New Jersey, 2014.

Review essay of the exhibition catalogue. Entire issue on one pdf. To access article, scroll to page 44.

Virtual exhibit looks at the first major Canadian scientific exhibition to the north through examination of the expedition diaries.

Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Ontario, 1999 curated by Susan Gustavison, Robert Rainbird and Lyn Anglin. Entire issue on one pdf. To access article, scroll to page 32.

Review of his 1983 Thunder Bay exhibition with an illustration of his giant wall-length scroll.

Looks at the artist's claim of Cherokee ancestry by examining his use of excerpts from a letter written in Cherokee syllabary by Zeke Proctor in his work Proctor's Letter.

Curatorial notes for exhibition of the same name mounted at the University of Alaska Museum, Fairbanks, 1999. Entire issue on one pdf. To access issue, scroll to page 42.

James Luna Puyukitchum comments on his experiences growing up in California and the reaction to his installation/performance titled, Artifact Piece.

Review of exhibition mounted at the Winnipeg Art Gallery from Oct. 16, 2010 to April 3, 2011. Entire issues on one pdf. To access article scroll to p. 57.

Brief description of several Inuit initiatives including Our Land, an exhibition of more than 50 pieces of Inuit art at the Peabody Essex Museum.

Curatorial notes for exhibition of the same name mounted at the Museum of Anthropology, British Columbia, 1999. Entire issue on one pdf. To access article, scroll to page 38.

Book review of: Nuu-chah-nulth Voices, Histories, Objects & Journeys edited by Alan L. Hoover. To access this review, scroll to page 123.

Museum and Field Studies Interdisciplinary Thesis (M.Sc.)--University of Colorado, 2013.

Anthropology and Sociology Thesis (M.A.)--The University of British Columbia, 2000.

Discusses boxes used to store and transport objects and items used in ceremonies of the Peyote religion. Includes images of examples.

Article discusses the collections of Inuit artifacts and remains being held in European museums including the nature and provenance of the items.

Reviews museums' traditional approach to native culture and contends that the division between "white" and aboriginal history is artificial and reinforces the idea that European culture being superior to that of indigenous peoples.

Produced to accompany photo exhibit which was developed for the screening of In the Land of the Head Hunters. Twenty individuals were asked to choose a photograph taken by Curtis and respond to it in a short paragraph.

Artist, who works in jewelry, mixed-media visual arts, and installations describes the influences and inspirations behind her creations.

Anthropology Thesis (M.A.)--Georgia State University, 2009.

Discusses the exhibition of installations by Adrian Stimson which focus on the Chief Old Sun Residential School.

Book review of On Aboriginal Art in the Gallery edited by Lynda Jessup with Shannon Bagg. Entire issue on one pdf. To access article, p. 46.

Exhibition review. Entire issue on one pdf. To access article, scroll to page 38.

"This session will explore the museum as a site of cultural contestation and issues of appropriation and commodification". Session 3 of 3. Duration: 59:23.

Reviews an exhibition spanning three decades, entitled Eagle of the Dawn that featured carving, painting, printmaking and engraved works .

Article describes the consultation process and the eventual agreement (1985) between the Tohono O’Odham nation, the Arizona State Museum, and the Bureau of Indian Affairs regarding the exhumations, examination and repatriation of human remains at the San Xavier Bridge site.

English and Cultural Studies Thesis (Ph.D.)--McMaster University, 2019.

Highlights artist's works through wildlife, native and mixed media galleries and includes brief video of artist explaining the inspirations for her art.

Anthropology Thesis (M.A.)--University of British Columbia (Vancouver), 2009.

Some small ornamental tipis and other moosehide artifacts created by members of the Sweetgrass Cree band for the Saskatoon Arts and Crafts Society fair in 1951.

Curatorial essay for an exhibition which examined the history of Métis and First Nations women. Artists featured included Sherry Farrell Racette, Mimi Gellman, Tania Willard, Rosalie Favell, Joi Arcand, and Nadia Myre.

A compilation of essays by : Deborah Lee, Liam Haggarty, Brendan Edwards, Tamara Starblanket, Camie Augustus, Kurt Boyer, Anna Flamino, Merle Massie, Yvonne Vizina, Patricia Deiter, Meagan Gough, and Alan Long.