Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Articles » Scholarly, peer reviewed
Author/Creator
Laura Mudde
BC Studies, no. 207, Autumn, 2020, pp. 35-65,156
Description
Looks at the 2012 unveiling of a sculpture of Father Pandosy and how the use of Sylix knowledge both mitigates the erasure of Indigenous presence and acknowledges the Indigenous community within the framework of a settler-colonial identity.