Search
The Apology Breakthrough: Now What?
The Application of the Concept of 'Citizens Plus' to Status Indians in Canada
Approaching a Collaborative Research Agenda for Health Systems Performance in Circumpolar Regions
Appropriate Technologies in the Traditional Native American Smokehouse: Public Health Considerations in Tribal Community Development
Examines how the Swinomish Indian Tribal Community was able to build a ceremonial smokehouse and reduce the associated health risks, by applying appropriate technologies.
An Archaeological Investigation of the Galene Lakes Area in the Skagit Range of the North Cascade Mountains, Skagit Valley Park, British Columbia
Archaeologies of Persistence: Reconsidering the Legacies of Colonialism in Native North America
Archaeology and Oral History of Inuit Land Use on the Kazan River, Nunavut: A Feature-Based Approach
Archaeology and the Sugpiaq Renaissance on Kodiak Island: Three Stories From Alaska
Archaeology, Education and First Nations: Two Case Studies From Central Saskatchewan
The Archaeology of Australia's Deserts
The Archaeology of Mission Santa Catalina de Guale: 2. Biocultural Interpretations of a Population in Transition.
The Archaeology of North Pacific Fisheries
The Archaeology of the Caddo
Archdeacon Anaru Takurua : ko tōna whakapapa, whakapono me tōna whakapono me tōna whakatika : "I am what I am"
Arctic and Inuit Photography. Part One: An Accurate Representation of the World?
Arctic and Inuit Photography. Part Three: Contemporary Inuit Photography
Arctic and Inuit Photography. Part Two: Through the Looking-Glass: The Photographs of Robert J. Flaherty and Peter Pitseolak
Arctic Defenders
Arctic Health in Russia
The Arctic Human Health Initiative: A Legacy of the International Polar Year 2007-2009
The Arctic Indigenous Language Initiative: Assessment, Promotion, and Collaboration
Arctic Languages: An Awakening
Arctic Passages: Liminality, Iñupiat Eskimo Mothers and NW Alaska Communities in Transition
Arctic Passages: Maternal Transport, Iñupiat Mothers, and Northwest Alaska Communities in Transition
Arctic Peoples and Security: A Compendium of Resources
Arctic Resilience Interim Report 2013
Are There Differences Between the Aboriginal Homeless Population and the Non-Aboriginal Homeless Population in Calgary?
Are We Really Sorry? Some Reflections on Canadian Indigenous Policies in the Early Twenty-First Century
Looks at the First Nations Governance Act, the Ipperwash Inquiry and final report, Caledonia and specific claims policies, and the Kelowna Accord. Chapter from A History of Treaties and Policies edited by Jerry P. White, Erik Anderson, Jean-Pierre Morin, and Dan Beavon, which is vol. 7 in the Aboriginal Policy Research series. Originally presented at the third annual Aboriginal Policy Research Conference, 2009.
Arizona Criminalizes Indigenous Knowledge
Arrangement Sees CEOS Work with First Nations
Contends that Saskatchewan First Nations chiefs and economic development officers need to get First Nations people more involved with the economy.
Entire issue on one pdf. To access article scroll to p.33.
The Art of Being an Inuit Woman
[The Art of Mary Anne Barkhouse]
The Art of Youth Resistance and Inspiration: Nishiyuu Journey Across Snowy Canada
Artful Destination
Articles and Reviews: Foyer Display, Lac St. Anne
Artist-Run Organizations and the Restoration of Indigenous Cultural Sovereignty in Toronto, 1970 to 2010
Artistic Funny Bones: An Investigation Into the Social Purpose of Humor in Art in the Work of Jimmie Durham and David Shrigley
“Artistic License” Should Be Revoked If It Involves the Re-writing of History: My Heart is on the Ground: The Diary of Nannie Little Rose by Ann Rinaldi
[Artistry in Native American Myths]
Artists of Change: Breaking Through the Millennium [Part 1]
Artists of Change: Breaking Through the Millennium [Part 2]
Artists of Change: Breaking Through the Millennium [Part 3]
Artists with Their Work - Ruth Cuthand. - Program. - 1990.
Historical note:
Ruth Cuthand was born in Prince Albert, SK in 1954 and grew up near the Blood Reserve in Alberta. Her heritage is Plains Cree and Scots/Irish. Her Aboriginal culture and memories of her childhood experiences are often the inspiration for her art-making practice.