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2016 Report and Recommendations and Government of Alberta Response
Aboriginal Arts & Stories
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
apihkêw (s/he braids, s/he weaves, s/he knits)
Archival Photographs in Perspective: Indian Residential School Images of Health
Arctic Rock Cod
'Arke-Typical': Dialogues in Art, Anthropology and the Writing of Self in the Work of Pia Arke
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artist's Statement: Indigenous Collage
Arts of Engagement: Taking Aesthetic Action in and beyond the Truth and Reconciliation Commission of Canada
Authentic First Peoples Resources: K-9
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Basketmaking Guides and the Appropriation of Indigenous Basketry
Beads: Symbols of Indigenous Cultural Resilience and Value
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bird-Sings-Different: The Beadwork of Emma Last Star
Branding The American West: Paintings and Films, 1900-1950
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Called to Learn, Act, and Reflect through Indigenous Teachings and Experiential Mathematics for Catholic Educators
Classic Salish Twined Robes
Coming in Stories: Taking Our Place: Two Spirit in Saskatchewan
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
The Concept of Duality in Culture and Myths of Lakota Indians
Copper Thunderbird
Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Curator's Choice: Harpoon Counterweight
Curator's Choice: Papiara Tukiki and Saimaiyu Akesuk
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Developing Indigenous Visual Arts Transnationally and Across Genres
Disposable Red Woman: Guerrilla Art
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Early 19th Century Men's Southeast Moccasins in the Creek Style
An Early Seneca Beaded Doll
Edgar Heap of Birds
[Edgar Heap of Birds]
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.