Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
From the Hands of a Weaver: Olympic Peninsula Basketry through Time
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
The Gift of the Face: Portraiture and Time in Edward S. Curtis's "The North American Indian"
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Huichol Women, Weavers, and Shamans
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Images of the Surreal: Contrived Photographs of Native American Indians in Archives and Suggested Best Practices
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigeneity, Art as Meditation: A Contemporary Case Study from Urban Indigenous America
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Artists' Needs Assessment Report
Indigenous Criticism: On Not Walking with Our Sisters
Indigenous Men and Masculinities: Legacies, Identities, Regeneration
Indigenous Protocols for the Visual Arts: A Practical Guide for Navigating the Complex World of Indigenous Protocols for Cultural Expressions in the Visual Arts Sector
Information for Indigenous peoples and artists, as well as non-Indigenous audiences wanting to engage with communities.
Indigenous Women and Street Gangs: Survivance Narratives
Intellectual Property and Genetic Resources, Traditional Knowledge and Traditional Cultural Expressions: Overview
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.
An Interview with Susan Point
KC Adams Stares Down Stereotypes against Aboriginal People
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Laguna Pueblo: A Photographic History
A Lakota War Book From the Little Bighorn: The Pictographic "Autobiography of Half Moon"
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
Mediating Indianness
Medicine through Comics: Wheels Are Turning on the Road to Healing: Native Americans through the Lens of Francophone Graphic Novels
Membertou Heritage Park: Craft Table at the Port of Sydney
Mshkikenh Ikwe Niin (I am Turtle Woman):The Transformative Role of Anishinaabe Women’s Knowledge in Graduate Research
Native Art in Canada: An Ojibwa Elder's Art and Stories
Native Art of the Northwest Coast: A History of Changing Ideas
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
Neal Ambrose-Smith: The Artistic Modernity of Indianness
Negotiating Vernacular Community: The Photographic Archive Of Métis Activist James P. Brady
Never Alone: The Art and the People of the Story
Niitsitapi Pi’kssíí (Blackfoot Fancy Beings)
Student guide for art exhibition featuring depictions of animals by Blackfoot artists Ryan Jason Allen Willert and Kalum Teke Dan. Each image is accompanied by a brief description of the animal's territory, habitat, food, and conservation status as well as interesting facts. Includes discussion questions and activities for beginner, intermediate and advanced levels.