Reflections on Rethink150: Indigenous Truth
'Remembering Otherwise": Counter-Commemoration and Re-Territorialization in Indigenous Film and Video Art
Remote Avant-Garde: Aboriginal Art under Occupation
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
Revealing Blue on the Northern Northwest Coast
Rhetorics of Colonialism in Visual Documentation
Rhetorics of Colonialism in Visual Documentation
Safety for Our Sisters: Ending Violence against Native Women
Saskatchewan History - The First Peoples: Plains First Nations
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Shapeshifting: Inviting Change Through Exhibiting Native American Art
Sharing the Creative Spirit: Indigenous Community Art Projects
[Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis]
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Sioux Performers at the 1901 Pan-American Exposition
Sioux Performers at the 1904 St. Louis World's Fair
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.
Staying in Place: Plains Metis Borderland Communities, 1885-1930
A Student for Life: Kevin Red Star
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Susan Point: Works on Paper
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Teacher's Guide: Pīsim Finds Her Miskanaw by William Dumas; illustrated by Leonard Paul
For use with picture-book which provides historical information about the pre-contact culture and language of the Rocky Cree people from around South Indian Lake in Northern Manitoba.
English text with some Cree vocabulary and phrases, and glossary and pronunciation guide.
Theorizing Native Studies
Theorizing Native Studies
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Three Views of Contemporary Native North American Art
Tipi Maker's Bundle
To All Our Relations: Evidence of Sámi Involvement in the Creation of Rock Paintings in Finland
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Uno Native Film Festival
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Unsettling Scenes
Views from the North: Photographs, Generations and Inuit Cultural Memory
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.