Edgar Heap of Birds
Exhibit Honours Aboriginal Women
Exploring Craft Cooperative Potential in Paqtnkek Mi'kmaq Community: Final Report
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Face to Face: Polar Portraits
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
[Father Meme; Shrouds of White Earth]
First Nations, First Thoughts Conference: Abstracts and Papers
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
The Frozen Bodies of Edward S. Curtis
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
[Gone But Not Forgotten: When Art Alone is Not Enough]
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Highlight Summary Report: Virtual Roundtable on First Nation Citizenship Featuring Artistic Presentations From First Nations Artists
The History of Lapland and the Case of the Sami Noaidi Drum Figures Reversed
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Honouring Indigenous Women: Hearts of Nations. Vol. 1
Humor and Resistance in Modern Native Nonfiction
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Image as Text, Text as Image: Quilts and Quiltmaking in Eric Gansworth's Mending Skins
Images From the Likeness House
In-Between: Contemporary Art in Australia: Cross-Culture, Contemporaneity, Globalization
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
In the Presence of the Sun, and: The Journey of Tai-me
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Art Code: A Code to Promote Fair and Ethical Trade in Works of Art by Indigenous Artists
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Identity and Resistance: Researching the Diversity of Knowledge
Indigenous Protocols for the Visual Arts: A Practical Guide for Navigating the Complex World of Indigenous Protocols for Cultural Expressions in the Visual Arts Sector
Information for Indigenous peoples and artists, as well as non-Indigenous audiences wanting to engage with communities.
Indigenous Women and Street Gangs: Survivance Narratives
Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.