Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Disposable Red Woman: Guerrilla Art
Dressing Under Pressure: Métis in kistapinânihk, 1862-1900
Media and Cultural Studies Thesis (MA) -- University of Alberta, 2021.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Edgar Heap of Birds
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
First Peoples' Heritage, Language & Culture Council
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From a Whisper to a Scream
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Germaine Arnktauyok: An Inner Sight
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
A Half-Life of Cardio-Pulmonary Function: Poems and Paintings
The Haudenosaunee Flag Raising: Cultural Symbols and Intercultural Contact
High Tech Storytellers, Unsettling Acts, Decolonizing Pedagogies
History of Cape Dorset and the West Baffin Co-operative
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
I Am But a Little Woman
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indians in Eden: Wabanakis and Rusticators on Maine's Mount Desert Island, 1840s-1920s
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous (Re)Memory and Resistance: Video Works By Dana Claxton
Indigenous Women and Feminism: Politics, Activism, Culture
Indigenous Women and Street Gangs: Survivance Narratives
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.