Dressing Under Pressure: Métis in kistapinânihk, 1862-1900
Media and Cultural Studies Thesis (MA) -- University of Alberta, 2021.
“Dyeing Commodities Whether in Roote or Floure”: Reconstructing Aboriginal Dye Techniques from Documentary and Museum Sources
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Epic Encounters: First Contact Imagery in Nineteenth and Early-Twentieth Century American Art
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Expressions: Canadian Aboriginal Artists
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
The First Nations Art of Birch Bark Biting
A Form and Function Study of Precontact Pottery from Atlantic Canada
Framing the Past
Fred Olsen--Pioneer North Dakota Photographer. Part One
"Free Your Mind," from the Series Crazymaking (2007)
Fritz Scholder: Indian/Not Indian
Fritz Scholder: Indian/Not Indian
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
George de Forest Brush: The Indian Paintings
Germaine Arnaktauyok: An Inner Sight
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Haida Art: Northern Villages: Part 1
Historical Ironies: The Australian Aboriginal Art Revolution
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Huron-Wendat Historical Visual Arts Tradition: Symbol of Cultural Continuity and Autonomy in the Past, Source of Inspiration in the Present
... I Shed No Tears
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
In Brief: Indian and Northern Affairs Canada's "Living Conditions in Aboriginal Communities" Photographic Project
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890-1915
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Australian Art in Intercultural Contact Zones
Indigenous Comics in the United States Indigenous Comics in the United States
Indigenous Women and Street Gangs: Survivance Narratives
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.