Small Spirits: Native American Dolls
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
The Space between Us: Exploring Colonization and Injustice through Red: A Haida Manga
Standing Strong Task Force Report & Recommendations: Acknowledging the Past, Learning form the Present, Looking to the Future
States of Beam
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Switchbacks: Art, Ownership, and Nuxalk National Identity
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
The 'Talking Paper' Interpreting the Birch-Bark Scrolls of the Ojibwa Midéwiwin
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Teacher Resource Guide for Grades 9-12: Learn About Community & Land Stewardship through the Art of Pitseolak Ashoona
Pitseolak Ashoona is a renowned Inuk artist from Nunavut.
Designed to complement the book Pitseolak Ashoona: Life and Work.
Teacher Resource Guide for Grades 9-12: Learn about Land & Indigenous Worldviews through the Art of Norval Morrisseau
Includes biography, discussion of artist's style and techniques learning activities, and image file. Designed to complement Norval Morrisseau: Life and Work by Carmen Robertson.
Telling and Retelling in the ‘Ink of Light’: Documentary Cinema, Oral Narratives, and Indigenous Identities
Textiles Used by Native Americans
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Top Hats on the Plains
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Ts'úu isgyáan Sgahláang = Yellow and Red Cedar
Science unit also teaches the Haida language. Intended for Grades K-2.
Related Material: Teacher Resources.
Unmasking the Mouse: Cultural Appropriation in Disney Films
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Unsettling Scenes
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
The Visual Discourse of Ninth-Century Stelae at Machaquila and Seibal
Waban-Aki: People From Where the Sun Rises
Waban-Aki: People From Where the Sun Rises [Guide]
Wampum Diplomacy: The Historical and Archaeological Evidence for Wampum at Fort Niagara
War Club Construction
A Warrior Celebration: The Photographs of Tom Jones
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
The Way Ahead: Surveying the Curatorial Landscape: [17-19 March 2006]
Ways of Thinking about Inuit Art: Sharing Power
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.
What Are Our Expectations Telling Us?: Encounters with the NMAI
What Native Looks Like Now: Embodiment in Contemporary Indigenous Art, 1992–Present
History of Art and Architecture Thesis (PhD) -- University of Pittsburgh, 2021.