Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Community, Conflict, Difference: New Genre Public Art in Winnipeg
The Concept of Duality in Culture and Myths of Lakota Indians
Concepts of Native America
Consultation of the Muses
Contemporary Artists from the Circumpolar Region: Aslaug Juliussen and Ronald W. Senungetuk
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
A Contemporary Winter Count
Contest Fans
Convergence and Divergence in North America: Canada and the United States
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.
Creating an Impact: Community Contexts for the Contemporary Expressions of Indigenous Women Artists
Creating to Compete: Juried Exhibitions of Native American Painting, 1946-1960
Creative Subversions: Whiteness, Indigeneity, and the National Imaginary
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture Cullt Clan 2001: Comments on the Survival of Torres Strait Culture
Dancing, Singing, Painting, and Speaking the Healing Story: Healing through Creative Arts
[Dave Robertson & Sugar Falls: A Residential School Story]
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Digital Modalities of Sited Memory: Athavale and Blackhorse's Animated Territories
Disposable Red Woman: Guerrilla Art
The Dog Child Site (FbNp-24): A 5500 Year-Old Multicomponent Site on the Northern Plains
Dreaming an Identity Between Two Cultures: The Works of Alootook Ipellie
A Drum in One Hand, a Camera in the Other: Contemporary Aboriginal Winter Life - A Photographic Essay
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.