The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
The Evolution of Beaded Baskets
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Eye Contact: Photographing Indigenous Australians
First Nations Theme (Sapp) at 3rd Avenue North and 25th Street East.
First Nations Theme (Sapp) at 3rd Avenue North and 25th Street East.
First Nations Women Carvers: Celebrating Creation and Creativity
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
From the Fourth World to the Art World: Dan Namingha, Katsinam, and the Ethics of Creativity
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
German Silver Crosses in Lakota Attire: Personal Adornment or Symbols of Tribal Leadership?
Glimpsing Our Past: An Archival Photo Project
Graphic Indigeneity : Comics in the Americas and Australasia
The Great Shimmering
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
I Can Make Art ... Like Andrew Qappik
I Can Make Art ... Like Andrew Qappik: [Study Guide]
Guide to accompany film, I Can Make Art ... Like Andrew Qappik. Target ages 9-12. Contains previewing and post viewing activities, follow up discussion and activity ideas.
IAIA Exhibit Features Emerging Indian Artist
Iljuwas Bill Reid: Life & Work
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
'In Our Language': The Art of Hachivi Edgar Heap of Birds
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
In the Balance: Indigeneity, Performance, Globalization
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Indian Art as Dialogue: The Tricky Transgressions of Bob Haozous
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indian Warriors and Pioneer Mothers: American Identity and the Closing of the Frontier in Public Monuments, 1890-1930
Indians Everywhere: Paul Chaat Smith on "Americans"
Indians in Cyberspace
An Indigenous Archive: Documenting Comanche History through Rock Art
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
An Interview with Susan Point
Inuit.Net: ABoriginArt
Issues of Collective Leadership in Building a Business with Indigenous Artists: An Arts Management Case Study
Jaune Quick-To-See Smith: She Paints the Horse
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
KC Adams
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Kent Monkman: Miss Chief's Return
Kindergarten and Early Learning Menu L
Lesson plans for math, literacy and French as a second language using themes from the books The Water Walker, Sharing Our Stories, When We Are Kind, and Let's Play Waltes.