Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Teacher Resource Guide for Grades 9-12: Learn About Community & Land Stewardship through the Art of Pitseolak Ashoona
Pitseolak Ashoona is a renowned Inuk artist from Nunavut.
Designed to complement the book Pitseolak Ashoona: Life and Work.
Teacher Resource Guide for Grades 9-12: Learn about Land & Indigenous Worldviews through the Art of Norval Morrisseau
Includes biography, discussion of artist's style and techniques learning activities, and image file. Designed to complement Norval Morrisseau: Life and Work by Carmen Robertson.
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Tim Schouten
Tom Benner
Totems to Turquoise
Touring an Other's Reality: Aboriginals, Immigrants, and Autochromes
Toward an Indigenous Feminine Animation Aesthetic
Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Transitions: [Contemporary Canadian Indian and Inuit Art]
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Tricksters in the Press
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Unmasking the Mouse: Cultural Appropriation in Disney Films
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Unsettling Scenes
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
War Club Construction
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
The Waters of Venice: Rebecca Belmore at the 51st Biennale
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.
What Native Looks Like Now: Embodiment in Contemporary Indigenous Art, 1992–Present
History of Art and Architecture Thesis (PhD) -- University of Pittsburgh, 2021.
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
When Consumerism and Art Collide: A Question of Identity
Who Holds the Frame?: Language as Representation in the Art of Emmi Whitehorse and Maria Hupfield
Who is artinjun.ca?
Who Was Henry Standing Bear? Remembering Lakota Activism From the Early Twentieth Century
"Why Cheyenne?"
William Barak and the Affirmation of Tradition
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
The World, the Text, and the Indian: Global Dimensions of Native American Literature
Wrapped in Wool and Copper: Encountering Musqueam Art at Vancouver's Granville at 70th Development Project
The Writing on the Wall: The Work of Joane Cardinal-Schubert
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