Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
Traditions, Arts & Trades: Teacher Manual
Although created for the Old Crow Experiential Educational Project, some activities can be adapted for other contexts. Lessons are grouped by Grades 7-9, Grades 4-6, and Grades 1-3.
Transforming Hybridities: Brendan Lee Satish Tang's Manga Ormolu and Michael Nicoll Yahgulanaas' Haida Manga
Transitions: [Contemporary Canadian Indian and Inuit Art]
The Trick Question: Finding a Home for Tricksters in Indigenous Literary Nationalism
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Tricksters in the Press
Understanding Place in Culture: Serigraphs and the Transmission of Cultural Knowledge
Urban Representations: Cultural Expression, Identity and Politics
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
Utilising PEARL to Teach Indigenous Art History: A Canadian Example
Professor from the University of Regina presents case study based on teaching a third-year course titled "Contemporary Aboriginal Art and Colonialism".
Various Elements
Vecino Economics: Gendered Economy and Micaceous Pottery Consumption in Nineteenth Century Northern New Mexico
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
The Waters of Venice: Rebecca Belmore at the 51st Biennale
Weaving for the Environment and Future Generations, Bazaar Artist: Porfirio Gutierrez
Welcoming the Wild Salmon Caravan: Socially Engaged Art as a Decolonizing Practice
Art Education (MA) -- Concordia University, 2020.
Wendat Women's Arts: Values of Individuality and Community
When the City Sleeps, We Dream of Disruption: A Review of Lisa Jackson's Transmissions Exhibition
Who is artinjun.ca?
"Why Cheyenne?"
Why the 90s Were so Sexy: Locating Sexuality, Pleasure and Desire in Work Produced by Indigenous Women Identified Artists During the 1990s and Early 2000s in Canada
Art History Major Research Paper (M.A) -- Ontario College of Art & Design University, 2020.
William Barak and the Affirmation of Tradition
Women, House, and Home in Contemporary Canadian Aboriginal Art: Hannah Claus, Rebecca Belmore, and Rosalie Favell
Woollen Blankets in Contemporary Art: Mutable and Mobile Materials in the Work of Sonny Assu
Writing Landscape
Pagination
- First page
- Previous page
- 1
- 2
- 3
- 4
- 5
- 6