The Studio of Painting at the Santa Fe Indian School: A Case Study in Modern American Identity
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
The Sweet Smell of Home: The Life and Art of Leonard F. Chana by Leonard F. Chana, Susan Lobo, Barbara Chana
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
Talking Back to the West: Contemporary First Nations Artists and Strategies of Counter-Appropriation
Taxidermic Signs: Reconstructing Aboriginality by Pauline Wakeham
TD Gallery of Inuit Art
Terrance Houle: Road Warrior
Through Our Eyes: Expressing Aboriginal Culture Grade 9 NAC 10
Tim Schouten
To Walk in Beauty: A Navajo Family's Journey Home
Tom Benner
The Tortoise and the Air
Totems to Turquoise
Tough Job Being a Role Model in the Arts World
Touring an Other's Reality: Aboriginals, Immigrants, and Autochromes
Toward an Indigenous Feminine Animation Aesthetic
Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Transitions: [Contemporary Canadian Indian and Inuit Art]
Travelling Miniatures: Kerry & Co.'s Postcards of the Pacific (1893-1917)
Treaties in the Classroom Embraces Artistic Aspect
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Tricksters in the Press
Understanding Museums: Australian Museums and Museology
Unsettling Scenes
UP and DOWN the COAST: Records of Missions to First Nations in British Columbia
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
Visualizing Sovereignty in the Time of Biometric Sensors
Discusses expressions of sovereignty through the artwork of four contemporary Iroquois artists: G. Peter Jemison, Alan Michelson, Samuel Thomas, and Marie Watt.
A Voice in the Silence: Constructing Identity Through The Visual Arts
War Club Construction
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
The Waters of Venice: Rebecca Belmore at the 51st Biennale
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.