Return: The Photographic Archive and Technologies of Indigenous Memory
Reviews
Rights of Restoration: Aboriginal Peoples, Creative Arts, and Healing
Rock Art in the Public Trust: Managing Prehistoric Rock Art on Federal Land
S'abadeb--The Gifts: Pacific Coast Salish Art and Artists
Sash Takes Place Alongside Other Symbols
Seeing More Than Black and White: Picturing Aboriginality at Australia's National Portrait Gallery
Shamans, Mythmakers and Imagined Places: Central Asia at the 51st Venice Biennale
Shared Images: The Innovative Jewelry of Yazzie Johnson & Gail Bird
Shaunee Casavant - Backstory: Nuuchaanulth Ceremonial Curtains and the Work of Ki-Ke-In
Shopping with Brian Jungen
Sociological IMAGES: What is "Indian Art"?
Songhees Pictorial: A History of the Songhees People as Seen by Outsiders, 1790-1912
The Space In-Between Cultures: Site-Specific Meeting Places of Indigenous and European Knowledges
Art History Thesis (BA) -- University of British Columbia, 2020.
Stepping Outside the Box: Traditional Knowledge, Folklore, Indigenous Textiles and Cultural Appropriation---Is There Room for Folklore Protection Under Intellectual Property Law?
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
A Stylistic Analysis of American Indian Portrait Photography in Oklahoma, 1869-1904
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
Teton Sioux Hair Ornament
Text and Image in Classic Maya Sculpture: A.D. 600-900
Textiles of Healing: Native American AIDS Quilts
Tim Schouten
Today Your Host is Speaking Out: Ideology, Identity, and the Land in Hachivi Edgar Heap of Birds's Native Hosts
Tom Benner
Totems at Sitka National Historical Park Sitka, Alaska
Totems to Turquoise
Touring an Other's Reality: Aboriginals, Immigrants, and Autochromes
Towards Forever ... An Indigenous Art Historical Worldview
Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
Trail of Tears Curriculum Guide
For use with videos On a Spring Day and Incident at Rock Roe. Collection of lesson plans for English Language Arts, Social Studies, Science, Fine Arts, Mathematics, Spanish and Physical Education.
Transitions: [Contemporary Canadian Indian and Inuit Art]
Treaty Lands: Imaging a Conditional Landscape
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Tricksters in the Press
Tunniit: Retracing the Lines of Inuit Tattoos: Educational Resource
Turquoise in the Life of American Indians
UDeyenz Lhuy Belh Nandlagh: A Story of Transformations
Uncommon Threads: Wabanaki Textiles, Clothing, and Costume
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
Wapos Bay: The Wapos Falcon
The Waters of Venice: Rebecca Belmore at the 51st Biennale
Welcoming the Wild Salmon Caravan: Socially Engaged Art as a Decolonizing Practice
Art Education (MA) -- Concordia University, 2020.