Aboriginal Curatorial Collective / Collectif des commissaires autochtones: Bibliography
Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
AIDS to Native Eyes [Part 1]: Honoring the 1st National Native American AIDS Awareness Day
[AIDS to Native Eyes Part 2]
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
American Indians Abroad: The Mythical Travels of Mrs. Penobscot and King Hendrick
The Anguish of Snails: Native American Folklore in the West
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artist Database: Merasty, Angelique
Artists in the Arctic
The Artists' Perspective: Survey Shows Materials are Greatest Need
Assimilation or Resistance?: The Production and Consumption of Tlingit Beadwork
B.C. First Nations Studies [Textbook]
Baker Lake Renaissance
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Bart Hanna: Heart of a Wanderer
Basketmaking Guides and the Appropriation of Indigenous Basketry
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
[Bennie Klain]
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Big Nose and his Painted Elk Skin
Bone Work from Arviat
Boyer's True Legacy Lies Within the Future Artists He Inspired
Brief commentary on artist Bob Boyer, known for making political statements about the way Aboriginal people have been treated throughout the years.
Entire issue on one pdf. To access article scroll to p.38.
Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards
Brian Jungen: Cool, Cooler, Coolest
The Brousseau Inuit Art Collection Hydro-Québec Gallery: Musée national des beaux-arts du Québec
Buffalo Boy at Burning Man: Camp, Mourning and the Forgiving of History in the Work of Adrian Stimson
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.