Ojibwa Moccasins: Center Seam/Vamp
OLC Honors 12 Artists, Oglala Lakota Veterans
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Moon Gallery: The Art of Darlene Gait
The Otherings of Miss Chief: Kent Monkman's Portrait of the Artist as Hunter
Oviloo Tunnillie: Life & Work
Page 5 Chatter
Article presents three different news reports: Inquiry into the investigation of serial killer Willie Pickton, the Métis Nation-Saskatchewan's 2004 election scandal, and the Great Bear Rainforest RAVE project.
Entire issue on one pdf. To access article scroll to p.5.
Painter Sought Emotional Response from Viewers
Brief article on artist Joane Cardinal-Schubert who combined the symbols of her Canadian Plains people with her own life experience, creating a history of personal and cultural significance.
Entire issue on one pdf. To access article scroll to p.30.
Painting Culture: The Making of Aboriginal High Art
Papunya Tula: Genesis and Genius
A Passionate Paper
Past, Present and Future: Photographic Presence in New Mexico
Performing Aboriginality at the Venice Biennale: The Performance Art of Rebeca Belmore and James Luna
A Photonarrative of Living with HIV: A Métis Woman's Experience
Applied Psychology Project (M.C.)--Athabasca University, 2010.
Please Note: Must be viewed in Firefox browser.
A Pictorial History of the Canoe
Pictures and Power: The Historical Anthropology of Iroquois Painting, A.D.1600-2000
Picturing "Civilization": Missionary Narratives and the Margins of Mimicry
Plains Cree Men's Clothing (1895-1926)
Portrait of a Vanishing Artist
Postindian Warrior is in the House: Voicing Survivance in Contemporary Native American Art
Potters' Choices: The Social Construction of Pottery-Making Technologies at Acoma and Laguna Pueblos, New Mexico
The Prehistory of the Tuxtlas
Preserving Tradition and Understanding the Past: Papers From the Conference on Iroquois Research, 2001-2005
Protecting the Authenticity and Integrity of Inuksuit Within The Arctic Milieu
Protocols for Producing Indigenous Australian Visual Arts
Pudlo Pudlat: Untitled
Puo'winue'l Prayers: Readings from North America's First Transtextual Script
Pushing the Boundaries of Tradition in Art: An Interview with Susan Point
Quillworker's Bladder Envelopes
Rare Written Record of Treaty 4 Signing Finally Returns to Pasqua First Nation
Raven Feather and the Tsimshian: A Look at The Mountain Goats of Temlaham illustrated by Elizabeth Cleaver
Raven Imagery in Northwest Coast Indian Art
Raven Travelling: Two Centuries of Haida Art
Re-reading Photographs through the Lens of Defamiliarizing the Aboriginal
Re-visualizing a History: First Nations, Children and Costuming - Exhibition
Reading the Autoethnographic Perspectives of Indians "Shooting Indians"
[Recensions/Book Reviews]
[Recensions/Book Reviews]
Reconsidering Emily Carr
[Red: A Haida Manga]
Red Runners: "The New Objectification of Native Art and Identity"
Regional Surveys of Northwest Coast Native Art: A Review Essay
Relationships of Photography and Text in the Colonization of the Canadian West: The 1858 Assiniboine and Saskatchewan Exploring Expedition
Remember The Children: Residential School Resource Centre
Repatriation of Indigenous Knowledge and Intellectual Property to East Greenland
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.