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IAIA Rocks the Sixties: The Painting Revolution at the Institute of American Indian Arts
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Imaging the Arctic
In Search of Geraldine Moodie
Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry
Indian Summer: Reclaiming and Revitalizing Native American Identity through Art
Indigeneity and Sovereignty: The Work of Two Early Twentieth-Century Native American Art Critics
Inspiration from Museum Collections: An Exhibit as a Case Study in Building Relationships between Museums and Indigenous Artists
Interview With Minnie Aodla Freeman, Author and Collaborator
Interview with Photographer Jimmy Manning
Interview with Susan Gustavison, Curator. Northern Rock: Contemporary Inuit Stone Sculpture
The Invented Indian/The Imagined Emily
Jimmy Manning: Cape Dorset Photographer
Kenojuak Ashevak
Kenojuak: The Life Story of an Inuit Artist
Kumeyaay Basketry: Resource Management as an Economic Strategy
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
Making Meaning in Totemland: Investigating a Vancouver Commission
Masterpieces of Canadian Inuit Sculpture
My Home as I Remember
Native Images: Images of Treaty Negotiations, Annuity Payments and Treaty Days - Treaties 1 to 10
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Not Just a Pretty Face: Dolls and Human Figurines in Alaska Native Cultures
On The Cover: Ernie Scoles
Out of the Mist: Treasures of the Nuu-chah-nulth Chiefs
Painting Native America in Public: American Indian Artists and the New Deal
Painting the American Indian at the Turn of the Century: Joseph Henry Sharp and His Patrons, William H. Holmes, Phoebe A. Hearst and Joseph G. Butler, Jr.
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Papunya Stories
Paradigms of Collecting From Ethnography to Documenting the Individual Artists: Grace Nicholson and the Art History of Native Northwestern California Basketry During the Arts and Crafts Period, 1880-1930
The People of Saskatchewan in Pictures: The Francophones
Performing Archive: Curtis + "the vanishing race"
Photographic Memory: Inuit Representation in the Work of Peter Pitseolak
Picking Up the Pieces: The Making of the Witness Blanket
Picture This: Hudson's Bay Company Calender Images and Their Documentary Legacy, 1913-1970
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.
Pueblo Indian Pottery: 750 Artist Biographies: vol. 2
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
The Raven and the Loon: Inuit Prints and Sculptures from the Chauncey C. Nash Collection
Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Representations of Missing and Murdered Indigenous Women in Canadian Art
Reservation X: The Power of Place
Reservation X: The Power of Place in Aboriginal Contemporary Art
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36
Rethinking the Prairie Page in Print Culture: Paper Presented at the Prairie Print Culture Colloquium
Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.