"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
A Future with a Past: Hazel Pete, Cultural Identity, and the Federal Indian Education System
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
The Graphic Works of Susan A. Point from the Collection of the Burke Museum
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
IAIA Rocks the Sixties: The Painting Revolution at the Institute of American Indian Arts
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Imaging the Arctic
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigeneity and Sovereignty: The Work of Two Early Twentieth-Century Native American Art Critics
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Women and Street Gangs: Survivance Narratives
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.
An Interview with Susan Point
The Invented Indian/The Imagined Emily
Kenojuak Ashevak
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Kumeyaay Basketry: Resource Management as an Economic Strategy
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
Making Meaning in Totemland: Investigating a Vancouver Commission
Masterpieces of Canadian Inuit Sculpture
Medicine through Comics: Wheels Are Turning on the Road to Healing: Native Americans through the Lens of Francophone Graphic Novels
My Home as I Remember
Native Images: Images of Treaty Negotiations, Annuity Payments and Treaty Days - Treaties 1 to 10
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
Never Alone: The Art and the People of the Story
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Not Your Grandfather's Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures
Ojibway Nature Center Colouring Book
Each picture is introduced with a story which includes words in the Anishinaabemowin (Ojibway) language.
On The Cover: Ernie Scoles
On the Creation of the Multimedia Project "the Memory of a Settlement", Dedicated to the Genealogy, Oral History, and Photographic Archives of Vupik Families from the Settlement of Novoe Chaplino, Chukotka
Highlights of a the digitization project to preserve the genealogical history of the Novoe Chaplino settlement.