Coast Salish: Collections: Archaeology and Ethnology of the Gulf of Georgia
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Colonial Photography and Exhibitions: Representations of the 'Native' and the Making of European Identities
Colonialism's Afterlife: Vision and Visuality on the Northwest Coast
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Competition and Consumer Issues for Indigenous Australians
The Concept of Duality in Culture and Myths of Lakota Indians
Concepts of Spirituality in the Works of Robert Houle and Otto Rogers with Special Consideration to Images of the Land
Construction of the Mythic Indian in Mainstream Media and the Demystification of the Stereotype by American Indian Artists
Consumers of Indigenous Canadian Aboriginal Textile Crafts
Contemporary Aboriginal Art Texts: Intersections of Visual Culture
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Creating an Enchanted Land: Curio Entrepreneurs Promote and Sell the Indian Southwest, 1880-1940
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Curator's Choice: John Kaunak
Dance in Inuit Art
Daphne Odjig
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Dealer's Choice: Mosha Michael
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Dempsey Bob
Depicting the Inner Reality: A Conversation with Joel Maniapik
Disposable Red Woman: Guerrilla Art
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Every Picture Tells a Story: Plains Indian Warrior Art ... The State of the Art
The Experimental 1860s: Charles Walter's Images of Coranderrk Aboriginal Station, Victoria
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.