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A. J. Isbister: Artist of Visions
Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Allan Houser (Haozous): Santa Fe Compound and Sculpture Garden
Anita Issaluk (Lavallee): "Carving is Like a Preserver of our Culture"
Anita Issaluk (Lavallee) "I Took to it Like a Fish to the Sea"
Archival Photographs in Perspective: Indian Residential School Images of Health
The Arctic Lithograph
The Art That Came In from the Cold
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
The Beginning
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bill Reid
[Book Reviews]
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Cape Croker - An Evolutionary Historical Tour
Cape Dorset/Stratford Return: Art and Images, 1959-1999
Carving Out a Future: Contemporary Inuit Sculpture of Third Generation Artists From Arviat, Cape Dorset and Clyde River
Celebrating Nunavut
Challenging Boundaries: Seven Serigraphs by Kwakwaka'wakw Artist Francis Dick
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Chasing Down a Dream
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Corcoran and Cody: The Two Versions of The Last of the Buffalo
Cover Artist: Kevin Pee-ace
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Craft, Ritual, and World View: Ojibwa Ontology Through Transformative Philosophy
Creation and Continuity: Inuit Art From the Shumiatcher Collection
Cross-Cultural Relationships: The Work of Canadian Artist Mildred Valley Thornton
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.