Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
Chasing Down a Dream
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Community, Conflict, Difference: New Genre Public Art in Winnipeg
The Concept of Duality in Culture and Myths of Lakota Indians
Consultation of the Muses
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Corcoran and Cody: The Two Versions of The Last of the Buffalo
Cover Artist: Kevin Pee-ace
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.
Craft, Ritual, and World View: Ojibwa Ontology Through Transformative Philosophy
Creating to Compete: Juried Exhibitions of Native American Painting, 1946-1960
Creation and Continuity: Inuit Art From the Shumiatcher Collection
Creative Subversions: Whiteness, Indigeneity, and the National Imaginary
Cross-Cultural Relationships: The Work of Canadian Artist Mildred Valley Thornton
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Dancing, Singing, Painting, and Speaking the Healing Story: Healing through Creative Arts
[Dave Robertson & Sugar Falls: A Residential School Story]
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Developing Traditions: Indigenous Projections
Digital Modalities of Sited Memory: Athavale and Blackhorse's Animated Territories
Disposable Red Woman: Guerrilla Art
Drawing (Upon) the Past: Negotiating Identities in Inuit Graphic Arts Production
Dreaming the Dawn: Conversations with Native Artists and Activists
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.