Mzinkojige Waabang / To Carve Tomorrow
Napachie Pootoogook True North
Native American Studies Collection
Native Art, Native Voices: A Resource for K-12 Learners
Native Artists Helping Our People Endure (HOPE): A Social Capital Analysis of a Grassroots Art Initiative to Address Youth Suicide in an Indigenous Community
The Native as Image: Art History, Nationalism, and Decolonizing Aesthetics
Native Noir: Genre and the Politics of Indigenous Representation in Recent American Comics
Native Sport: Brian Jungen
The Nebraska Museums: Omaha & Lincoln, Nebraska
Neqamikegkaput: Faces We Remember: Leuman M. Waugh's Photography from St. Lawrence Island, Alaska, 1929-1930
New Insights from the Archives: Historicizing the Political Economy of Navajo Weaving and Wool Growing
A New Inuit Childhood and Home: The Drawings of Annie Pootoogook
The New Tribe: Critical Perspectives and Practices in Aboriginal Contemporary Art
The Nooter Photo Collection and the Roots2Share Project of Museums in Greenland and the Netherlands
Northern Athapaskan Beadwork
Northwest Territories Arts Branding Logo Program Guidelines
Norval Morrisseau: Grandfather of the Woodland Style of Painting
"Out of the Photograph": Indian Resistance Against 19th Century (White) Photographic Portrayals
Oviloo Tunnillie: Life & Work
Page 5 Chatter
Article presents three different news reports: Inquiry into the investigation of serial killer Willie Pickton, the Métis Nation-Saskatchewan's 2004 election scandal, and the Great Bear Rainforest RAVE project.
Entire issue on one pdf. To access article scroll to p.5.
Painter Sought Emotional Response from Viewers
Brief article on artist Joane Cardinal-Schubert who combined the symbols of her Canadian Plains people with her own life experience, creating a history of personal and cultural significance.
Entire issue on one pdf. To access article scroll to p.30.
Paris/Ojibwa: Interview with Robert Houle
Past, Present and Future: Photographic Presence in New Mexico
The People of Saskatchewan in Pictures: The First Nations
Peter Morin's Museum: An Installation with Performances
Photography and Colonialism in North America: "Looking Was Not An Innocent Act"
A Photonarrative of Living with HIV: A Métis Woman's Experience
Applied Psychology Project (M.C.)--Athabasca University, 2010.
Please Note: Must be viewed in Firefox browser.
A Piece of Me
Plains Cree Men's Clothing (1895-1926)
Plains Indian Art of the Northern Plains: Traveling Trunk Curriculum
2nd revised edition. Uses archival photographs of material culture.
Politics, Pain and Pleasure: The Art of Art-Making for ‘Settled’ Aboriginal Australians
Portrait of a Vanishing Artist
Postindian Warrior is in the House: Voicing Survivance in Contemporary Native American Art
Preserving Tradition and Understanding the Past: Papers From the Conference on Iroquois Research, 2001-2005
Producing Culture Across the Colonial Divide: Navajo Reservation Trading Posts and Weaving
Puo'winue'l Prayers: Readings from North America's First Transtextual Script
Quarter Past Eleven
The Quilt as (Non-)Commodity in William S. Yellow Robe Jr.'s The Star Quilter
Rabbits and Flying Warriors: The Postindian Imagery of Jim Denomie
Raven Feather and the Tsimshian: A Look at The Mountain Goats of Temlaham illustrated by Elizabeth Cleaver
Raven Imagery in Northwest Coast Indian Art
Re-Imaging and Re-Imagining the Colonial Legend: Photographic Manipulation and Queer Performance in the Work of Kent Monkman and Miss Chief Share Eagle Testickle
(Re)mapping the Colonized Body: The Creative Interventions of Rebecca Belmore in the Cityscape
Looks at Belmore's creative work that uses both the living histories of Indigenous people as cultural memory, and telling as a political act that is part of the total experience.