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Aboriginal Arts & Stories
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
apihkêw (s/he braids, s/he weaves, s/he knits)
Arctic Rock Cod
'Arke-Typical': Dialogues in Art, Anthropology and the Writing of Self in the Work of Pia Arke
Art and Expression of the Netsilik
Artist's Statement: Indigenous Collage
Artists Create Vivid Images of Nature in Saskatchewan
Arts of Engagement: Taking Aesthetic Action in and beyond the Truth and Reconciliation Commission of Canada
Authentic First Peoples Resources: K-9
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Billie Kukshuk: "I use carving as a way to defer things that are unsettling in life"
Bird-Sings-Different: The Beadwork of Emma Last Star
Branding The American West: Paintings and Films, 1900-1950
British and Indian Identities in a Picture by Benjamin West
Called to Learn, Act, and Reflect through Indigenous Teachings and Experiential Mathematics for Catholic Educators
Case Study: Bob Boyer the Artist
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Classic Salish Twined Robes
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Coming in Stories: Taking Our Place: Two Spirit in Saskatchewan
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Contemporary Native Art II: A Bibliography
Copper Thunderbird
Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Curator's Choice: Harpoon Counterweight
Curator's Choice: Papiara Tukiki and Saimaiyu Akesuk
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
Dance to the Drum: In Celebration
David Itulu: Following a Graphic Impulse
The Dawn of Translation
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Drawings From the Herman Collection: Western Masterpieces and Inuit Masterpieces
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.