Shellwork
Discusses various examples, their purpose and the techniques used to make them.
The Shifting Phases of a Commodity: Textiles and Ethnic Tourism on a Lake Titicaca Island
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Situated Flow: A Few Thoughts on Reweaving Meaning in the Navajo Spirit Pathway
Songlines, Stories and Community Engagement: A Conversation with Cheryl L'Hirondelle, Elwood Jimmy, and Chris Bose
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.
Spinning the Web of a Spider
The Spirit of the Masters: Northwest Coast Art in the Contemporary Period, Since 1965
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stone as Stone: An Essay About Jimmie Durham
Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa
A Study of James Earle Fraser's End of the Trail: A New Interpretation for the Image of the Defeated Native American
Subversion Through Inversion: Kent Monkman's The Triumph of Mischief
Suffer Little Children
Sundays With Harry: An Essay on a Contemporary Native Artist of Our Time
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Susweca: The Dragonfly Motif in Plains Indian Art
Taking Action! Art and Aboriginal Youth Leadership for HIV Prevention
Terrance Houle & Adrian Stimson: Buckskin Re-Mounting
Three Hundred Years of Tlingit Art
Through Our Eyes: An Indigenous View of Mashapaug Pond
Through the Eyes of the Cree
The Totemic Art of Small-Town Canada
Tourists' Perceptions of Aboriginal Heritage Souvenirs
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Traditions, Arts & Trades: Teacher Manual
Although created for the Old Crow Experiential Educational Project, some activities can be adapted for other contexts. Lessons are grouped by Grades 7-9, Grades 4-6, and Grades 1-3.
Transforming Hybridities: Brendan Lee Satish Tang's Manga Ormolu and Michael Nicoll Yahgulanaas' Haida Manga
The Trick Question: Finding a Home for Tricksters in Indigenous Literary Nationalism
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Understanding Place in Culture: Serigraphs and the Transmission of Cultural Knowledge
Unsettling Scenes
Urban Representations: Cultural Expression, Identity and Politics
Utilising PEARL to Teach Indigenous Art History: A Canadian Example
Professor from the University of Regina presents case study based on teaching a third-year course titled "Contemporary Aboriginal Art and Colonialism".
Various Elements
Vecino Economics: Gendered Economy and Micaceous Pottery Consumption in Nineteenth Century Northern New Mexico
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
Voice: Whose Voice is it, Anyway?
War Club Construction
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
"We Indians Were Sure Hard Workers": A History of Coast Salish Wool Working
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
Weaving for the Environment and Future Generations, Bazaar Artist: Porfirio Gutierrez
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.