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Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Interventions Into the Photographic Archives: A Dialog Between Carol Payne and Jeffrey Thomas
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Afterword: Antiracist Activism in the Arts Community
Art and Expression of the Netsilik
Art Toronto 2001
Artists Create Vivid Images of Nature in Saskatchewan
Asingit: Inuit Art from the Macdonald Stewart Centre
Assimilation and Difference: Two Recent Exhibitions of Archival Photographs
Auctioning Inuit Art
Avataq Cultural Institute: Keeping Inuit Culture Afloat
The Basketmaker
Baskets: Carrying a Culture: The Distinctive Regional Styles of Basketmaking Nations in the Pacific Northwest
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Bill Reid (1920-1998): In Memoriam
Billie Kukshuk: "I use carving as a way to defer things that are unsettling in life"
Border Under Siege: An Author's Attempt to Reconcile Two Cultures
British and Indian Identities in a Picture by Benjamin West
Building Aboriginal Economies
Campfire Stories with George Catlin: an Encounter of Two Cultures
Carry It On For Me: Tradition and Familial Bonds in the Art of Acoma
Case Study: Bob Boyer the Artist
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Cloth & Clay: Communicating Culture
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Colonial Photography and Exhibitions: Representations of the 'Native' and the Making of European Identities
Colonialism's Afterlife: Vision and Visuality on the Northwest Coast
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Competition and Consumer Issues for Indigenous Australians
Construction of the Mythic Indian in Mainstream Media and the Demystification of the Stereotype by American Indian Artists
Consumers of Indigenous Canadian Aboriginal Textile Crafts
Contemporary Native Art II: A Bibliography
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
Creating an Enchanted Land: Curio Entrepreneurs Promote and Sell the Indian Southwest, 1880-1940
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Dance to the Drum: In Celebration
David Itulu: Following a Graphic Impulse
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Depicting the Inner Reality: A Conversation with Joel Maniapik
Drawings From the Herman Collection: Western Masterpieces and Inuit Masterpieces
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.