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Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Portraits from the National Archives of Canada
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alfred Kroeber and the Photographic Representation of California Indians
All I Had for Hair was Pink Yarn: A Survey of Doll Art From Alaska and Canada
Alootook Ipellie: The Voice of an Inuk Artist
Analysis of Textile Impressions from Pottery of the Selkirk Composite
Arctic Circle
The Art of Qaqaq Ashoona
The Ashoona Family of Cape Dorset
Aurora College's Fine Arts Program Dubbed an Eye-Opener
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Between Two Worlds: Sculpture by David Ruben Piqtoukun
Bill Nasogaluak: Getting Past the Oral Tradition
Bill Reid - Metalsmith, Wood Carver, Jeweller: About the Craftsperson
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
Cape Dorset Prints: 1969
The Care and Conservation of Art
Carved From the Land: The Eskimo Museum Collection
A Celebration of the Arts in Saskatoon - 1995.
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Confessions of an Igloo Dweller
The Contemporary Living Art
A Cross-Cultural Approach
Cross-Cultural Lines of Inquiry: The Drawings of Pitseolak Ashoona
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
A Curated Selection of Pauta Saila's Work
Curating and Controlling Zuni Photographic Images
Date Line: Baker Lake, NWT (July 1995)
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Drawing and Printmaking at Holman
[Dynamic Traditions: 'Cannery Days' Exhibit at Vancouver's Museum of Anthropology]
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Elisapee Inukpuk: "I Enjoy Dollmaking Immensely"
Elsie Klengenberg: "I Like to Draw People, Animals and Little Kids"
An Exhibition, A Book, and an Exaggerated Reaction
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.