Curator of the exhibition entitled Americans at the National Museum of the American Indian discusses the exhibition about the pervasiveness of the image of the American Indian in popular culture and the controversy surrounding the validity of artist Jimmy Durham's Cherokee identity.
Duration: 58:51.
Inuit Art Quarterly, vol. 9, no. 3, Fall, 1994, pp. 32-35
Description
Review of an exhibition at the National Gallery of Canada, Ottawa, March 18 to September 11, 1994.
Entire issue on one pdf. To access article, scroll to page 32.
Inuit Art Quarterly, vol. 9, no. 2, Summer, 1994, pp. [30]-35
Description
Exhibition review of: The Inuit Imagination at the Winnipeg Art Gallery, November 7, 1993 to March 13, 1994.
Entire issue on one pdf. To access review, scroll to page 30.
Poitras, once labeled an angry artist, believes anger is foreign to Indigenous philosophies and traditions, instead dictates forgiveness. Her works have display evils done to First Nations people by the church, Western materialism, residential schools and alcohol, but her own worldview is that trials and suffering lead to redemption.
Based on the exhibition Shared Visions: Native American Painters and Sculptors in the Twentieth Century, the focus is on artists from the Southwest and Oklahoma.
Chapter from Balance: Art and Nature gives brief discussion of works by various artists including: Lawrence Paul Yuxweluptun, Joane Cardinal-Schubert, Eric Robertson, Pierre-Léon Tétreault, Peter Morgan, Glenna Matoush, Eric Robertson, and Jimmie Durham.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
A Discussion on the visual style, cultural infusion and impact of the 2014 video game Never Alone. The game is based off the Iñupiat legend of Kanuk Sayuka and was created in cooperation with elders, storytellers, and artists from the Cook Inlet Tribal Council.
Duration: 50:01.
American Indian Quarterly, vol. 18, no. 4, Fall, 1994, pp. 445-[?]
Description
Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.
Postcards of Norway House, Manitoba, past and present. Eight postcards shows historical scenes such as forts, churches and a view of Norway House from 1889. The remaining eight postcards showing modern day scenes like paddlers in a York boat, Aboriginal people posing for camera, and the Paimush Creek Rock Paintings.
Art History Thesis (M.A.)--Oklahoma State University, 2017
Refers to the works of Horace Poolaw, Dallin Maybee, Arthur Amiotte, Jay Polite Labor, and Wendy Red Star
Canada's History, vol. 97, no. 1, February/March 2017, pp. 30-31
Description
Article contains two pieces of art depicting, 'opposing views' of the 1876 Battle of Greasy Grass or the Battle of Little Bighorn involving George Custer.
Brief description of the five collections that form the bulk of the Museum's Southwestern holdings:
Hazzard-Marta Collection: Relics from the Cliffdwellings
The Donaldson Collection: Into the Pueblos
The Wanamaker Expedition: Staying Ahead
The Gottschall Collection: Commerce and Collecting
The Stephens Collection: An Artist's Eye