Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Concrete (Indian) Futures: In Conversation with Nadya Kwandibens - Andrea Zeffiro
Contemporary Native North American Art in the British Museum
Conveying Traditional Indigenous Culture: From Ethnographic Film to Community-Based Storytelling
Coppers from From the Hood: Haida Manga Interventions and Performative Acts
Cracking the Glass Ceiling: Contemporary Inuit Drawing
The Crazy Horse Memorial: A Study of a Sacred and Contested Landscape
Creating for Culture: Edenshaw's Haida Roots and Cultural Transformations
Cross-Cultural Controversies in the Design History of Southwestern American Indian Jewellery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
A Cultural Snapshot: Exploring the Value of Community Photography for the Coquille Indian Tribe in a Climate Change Era
Curator Q&A: How Indigenous Art Took Centre Stage in Sakahàn
Da.A.XIIGang, Charles Edenshaw, "Master Carpenter"
Dakota Stone Head Wand
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Decolonizing the Runway: Jessica R. Metcalfe Brings Native American Fashion Into the Spotlight
The Delaware Indians and the Development of Prairie-Style Beadwork
Detecting Preference in the Archaeological Record: A Study of Glass Trade Beads Among the Natchez Indians
Disposable Red Woman: Guerrilla Art
Draw, Draw, Draw and Keep on Drawing
Looks at Inuit artist, Kenojuak Ashevak, whose artwork was featured on Canada's 1970 six cent stamp.
Entire issue on one pdf. To access article scroll to p.30.
Driving With the Driven: A Re(-)view of the Trail of Tears in the Roadside Montage
"Drum Connection" Aboriginal Grad 2013
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Eastern Beads, Western Applications Wampum Among Plains Tribes
Edenshaw's Legacy in Contemporary Art
Edgar Heap of Birds
Ełexègots'edo: Sharing Our Stories
"A collection of stories and photographs of objects from the Tłı̨chǫ region".
Enabling Women to Live the Life They Choose: Women’s Work
Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI by Dean Rader
Ethnic Cleansing, Homestyle
The Ethnohistorical Significance of Ceramic Art of the Southwest Pueblo Indians
An Exploratory Study on the Use of Photovoice as a Method For Approaching FASD Prevention in the Northwest Territories
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.