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[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art, Native Voice, and Political Crisis: Reflections on Art Education and the Survival of Culture at Kanehsatake
The Artist and the Vision
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts From the Arctic: A Celebratory Exhibition
The Audience for "Primitive" Art in Houses in the New York Region
Autobiographical Impulses and Female Identity in the Drawings of Napachie Pootoogook
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Broken Dreams; No Regrets
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
The Canadian Eskimo Arts Council Did Not Limp Onto the Scene
Chasms and Collisions: Native American Women's Decolonial Labor
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contemporary Indigenous Arts in the Classroom
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Desert Crafts: Anangu Maruku Punu
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Equality
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Frederick Alexcee's Entangled Gazes
From Health Worker to Health Worker across Australia
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
George Swinton's new Sculpture of the Inuit
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Graffiti to Graphics: Streetwize Aboriginal HIV/AIDS Poster Project
Graphic Indigeneity : Comics in the Americas and Australasia
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
Honouring: Project of Heart / Speaking to Memory
Houle, Robert. Art Gallery of Ontario. Toronto
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Iljuwas Bill Reid: Life & Work
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Images of Native People Associated with the Kelsey Event
Imitation Native Art
Impurity and Danger
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.