Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Almost 50 Years of Inuit Art Exhibitions
The American Indian in the Great War: Real and Imagined [Part One, Chapter Three]
Anthropology, Art and Contest
Any Important Form: Louis Riel in Sculpture
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Native Voice, and Political Crisis: Reflections on Art Education and the Survival of Culture at Kanehsatake
Art Shaped by the North: Gary Natomagan
The Artist and the Vision
Artist Henry Beaudry
Arts From the Arctic: A Celebratory Exhibition
The Audience for "Primitive" Art in Houses in the New York Region
Autobiographical Impulses and Female Identity in the Drawings of Napachie Pootoogook
The Baker Lake Printmaking Revival
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
The Best of the Best in Native Arts [Part I]
Choices in the categories of art, literature, poetry, political works, and music.
Entire issue on one pdf. To access article scroll to p.9.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Book Reviews
Broken Dreams; No Regrets
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
The Canadian Eskimo Arts Council Did Not Limp Onto the Scene
CCCA Canadian Art Database
Ceramic Production, Distribution, and Consumption in Two Classic Period Hohokam Communities
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Cover Artist: Lorne Cappo
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
A Curated Selection of Martha Tickie's Work
A Curated Selection of Mary Yuusipik's Work
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.