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The Acquisition of Visual Records Relating to Native Life in North America
Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry
After the Art Boom, What?: Yupik and Inuit Art: A Resurgence
Anasazi Ceramics as Text and Tool: Toward a Theory of Ceramic Design "Messaging"
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art of Ethnography: A Critical Analysis of Edward S. Curtis' The North American Indian
The Artists Speak
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Basketmaking Guides and the Appropriation of Indigenous Basketry
Beads: Symbols of Indigenous Cultural Resilience and Value
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Challenging Long-Cherished Beliefs
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Defying the Limits
Developing Indigenous Visual Arts Transnationally and Across Genres
Disposable Red Woman: Guerrilla Art
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Early 19th Century Men's Southeast Moccasins in the Creek Style
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
Edgar Heap of Birds
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.