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Aaron Huey: America's Native Prisoners of War
Aboriginal Artists use Cola Bottles as Inspiration
Brief article on an Aboriginal artists work chosen to be on display at the Vancouver 2010 Olympics.
Entire issue on one pdf. To access article scroll to p.17.
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Enterprises: Negotiating an Urban Aboriginality
Aboriginal Tourism and Traditional Basket Weaving on Prince Edward Island
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alan Syliboy - [Windspeaker Confidential]
Interview with Aboriginal artist Alan Syliboy.
Entire issue on one pdf. To access article scroll to p.13.
Andrew Qappik: Pangnirtung Memories
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Arapahoe Moccasins with Thunderbird Designs: Part 8
Arapahoe Style Sage Grouse Bustle
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Articles and Reviews: Geraldine Moody, Thirst Dance
[Artist Lecture: Nicholas Galanin]
Artist Profile: Angelique Merasty
Artist's Statement: David Neel
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
The Basketmaker
Basketmaker and Archaic Rock Art of the Colorado Plateau: A Reinterpretation of Paleoimagery
Basketmaking Guides and the Appropriation of Indigenous Basketry
Basketry as Economic Enterprise and Cultural Revitalization: The Case of the Wabanaki Tribes of Maine
Beaded Cloth Shoulder Bags: Bandoliers of the Southeast
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beauty and Resilience: Reclaiming Métis History and Women's Traditions in the Beaded Paintings of Christi Belcourt
Becoming First Americans: Explaining a Polybian-Indian Movement in the American Southeast
'Behold the Tears': Photography as Colonial Witness
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
The Black Wound: An Addition to the Interpretation of Plains Indian Figurative Art
The Blackfeet Buckskin Shirt
Blackfoot Warrior Shirts
Book Review:The National Museum of the American Indian: Critical Conversations
Brian Jungen, Selected Works & Interview
Bridging Cultural Divides
The Changing Pueblo Indian Pottery Tradition: The Underside of Economic Development in Late Colonial New Mexico, 1750-1820
Cheyenne Moccasins with Thunderbird Designs: Part 5
Cheyenne Moccasins with Thunderbird Designs: Part 6
Cheyenne Moccasins with Thunderbird Designs: Part 7
Circling the Truth
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clothing Power: Hierarchies of Gender Difference and Ambiguity in Moche Ceramic Representations of Human Dress, C.E. 1-850
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Collecting Contemporary Native Arts in the Boreal Forest of Western Canada
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.