Circling the Truth
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Circumstances Alter Photographs: Captain James Peters and the War of 1885
Clothing Power: Hierarchies of Gender Difference and Ambiguity in Moche Ceramic Representations of Human Dress, C.E. 1-850
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Coast Salish Weaving: Preserving Traditional Knowledge with New Technology
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Collectors of Navajo Rugs: An Analysis and Comparison of the Marjorie Merriweather Post and Washington Matthews Smithsonian Collection
Comic Art
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Commodification of Polynesian Tattooing: Change, Persistence, and Reinvention of a Cultural Tradition
Commodifications of the Past? An IPinCH KnowledgeBase Bibliography
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Connect and Divide: The Cell: A Conversation with Edward Poitras
Conquest, Consequences, Restoration: The Art of Rebecca Belmore
Constructing Authenticity: The Indian Arts and Crafts Board and the Eastern Band of Cherokees, 1935-1985
Contemporary Interpretation of an Unusual Navajo Weaving Technique
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Copyright Issues Regarding Inuit Art
Brief discussion of artists' right to control reproduction and exhibition of their work and their moral right to the integrity of their creations.
Cowboys and Indians: The American West in German Art of the Twentieth Century
Crafts, Boys, Ernest Thompson Seton, and the Woodcraft Movement
Creating Collaborative Visions with Aboriginal Women: A Photovoice Project
Creative Arts, Culture, and Healing: Building an Evidence Base
Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
The Crow-Plateau Style Otterskin Bow Case-quiver
Culture and Tourism in the Navajo Country
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Daughter of Adult Inuk Guide. - Portrait.
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Direct Cinema: Filmmaking Style and Its Relationship to "Truth"
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Doing Cross-Cultural Research: Ethical and Methodological Perspectives
Double Take: Tourism & Photography Endeavors among the Northern Pueblos of the Rio Grande
The Drawings and Paintings of Daphne Odjig: A Retrospective
Dugout Canoe Photographs
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.