Daughter of Adult Inuk Guide. - Portrait.
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
Direct Cinema: Filmmaking Style and Its Relationship to "Truth"
Disposable Red Woman: Guerrilla Art
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Ed Peekeekoot: Musician, Artist, Visionary
Edgar Heap of Birds
Entrelacs: Ontologie Métisse et Poïétique Dialogique
The Evolution of Beaded Baskets
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
First Nations Theme (Sapp) at 3rd Avenue North and 25th Street East.
First Nations Theme (Sapp) at 3rd Avenue North and 25th Street East.
First Nations Women Carvers: Celebrating Creation and Creativity
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
From the Fourth World to the Art World: Dan Namingha, Katsinam, and the Ethics of Creativity
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
German Silver Crosses in Lakota Attire: Personal Adornment or Symbols of Tribal Leadership?
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Holman Printmaking
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
I Can Make Art ... Like Andrew Qappik
I Can Make Art ... Like Andrew Qappik: [Study Guide]
Guide to accompany film, I Can Make Art ... Like Andrew Qappik. Target ages 9-12. Contains previewing and post viewing activities, follow up discussion and activity ideas.